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Mortal thoughts : religion, secularity, & identity in Shakespeare and early modern culture / Brian Cummings.

Van Pelt Library PN56.I42 C86 2013
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LIBRA PN56.I42 C86 2013
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Format:
Book
Author/Creator:
Cummings, Brian, author.
Language:
English
Subjects (All):
Shakespeare, William, 1564-1616--Criticism and interpretation.
Shakespeare, William.
Shakespeare, William, 1564-1616.
Criticism and interpretation.
Identity (Psychology)--England--History--16th century.
Identity (Psychology).
Identity (Psychology)--England--History--17th century.
Identity (Psychology)--Religious aspects--Christianity.
Identity (Psychology) in literature.
History.
England.
Physical Description:
xv, 367 pages : illustrations ; 23 cm
Edition:
First edition.
Place of Publication:
Oxford : Oxford University Press, 2013.
Summary:
Since the nineteenth century it has been assumed that the concept of personal identity in the early modern period is bound up with secularization. Indeed, many explanations of the emergence of modernity have been based on this thesis, in which Shakespeare as a secular author has played a central role. However, the idea of secularization is now everywhere under threat. The secularity of modern society is less apparent than it was a generation ago. Shakespeare, too, has come to be seen in a religious perspective. What happens to human identity in this different framework? Mortal Thoughts asks what selfhood looks like if we do not assume that an idea of the self could only come into being as a result of an emptying out of a religious framework. It does so by examining human mortality. What it is to be human, and how a life is framed by its ending, are issues that cross religious confessions in early modernity, and interrogate the sacred and secular divide. A series of chapters examines literature and art in relation to concepts such as conscience, martyrdom, soliloquy, luck, suicide, and embodiment. Religious and philosophical creativity are revealed as poised around anxieties about finitude and contingency, challenging conventional divisions between kinds of literary and artistic endeavour. Mortal Thoughts considers incipient genres of life writing (More, Foxe and Montaigne) and life drawing (Dürer, Hans Baldung Grien) in relation to dramatic representation and literary narration (Shakespeare, Donne, Milton). In the process it asks whether the problem of human identity rewrites historical boundaries. Book jacket.
Contents:
1 The Mortal Self / Dürer & Montaigne Montaigne, Dürer & 19
2 The Reformed Conscience / Thomas More More, Thomas 67
3 The Writer as Martyr / Cranmer & Foxe Foxe, Cranmer & 92
4 Public Oaths & Private Selves / More, Foxe, & Shakespeare Shakespeare, More, Foxe, & 133
5 Soliloquy & Secularization / Shakespeare 168
6 Hamlet's Luck / Shakespeare & the Renaissance Bible 207
7 Freedom, Suicide, & Selfhood / Montaigne, Shakespeare, Donne Donne, Montaigne, Shakespeare, 236
8 Soft Selves: Adam, Eve, & the Art of Embodiment / Dürer to Milton Milton, Dürer to 278.
Notes:
Includes bibliographical references (pages [327]-348) and index.
ISBN:
0199677719
9780199677719
OCLC:
852806164

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