My Account Log in

1 option

Danzón : circum-Caribbean dialogues in music and dance / Alejandro L. Madrid and Robin D. Moore.

LIBRA ML3400 .M33 2013
Loading location information...

Available from offsite location This item is stored in our repository but can be checked out.

Log in to request item
Format:
Book
Author/Creator:
Madrid, Alejandro L., author.
Moore, Robin D., 1964- author.
Series:
Currents in Latin American & Iberian music
Currents in Latin American and Iberian Music
Language:
English
Subjects (All):
Danzones (Music)--History and criticism.
Danzones (Music).
Physical Description:
xv, 279 pages ; 24 cm.
Place of Publication:
New York, NY : Oxford University Press, [2013]
Summary:
Initially branching out of the European contradance tradition, the danzón first emerged as a distinct form of music and dance among black performers in nineteenth-century Cuba. By the early twentieth century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. A fundamentally hybrid music and dance complex, it reflects the fusion of European and African elements and had a strong influence on the development of later Latin dance traditions as well as early jazz in New Orleans. Danzón: Circum-Caribbean Dialogues in Music and Dance studies the emergence, hemisphere-wide influence, and historical and contemporary significance of this music and dance phenomenon. Co-authors Alejandro L. Madrid and Robin D. Moore take an ethnomusicological, historical, and critical approach to the processes of appropriation of the danzón in new contexts, its changing meanings over time, and its relationship to other musical forms. Delving into its long history of controversial popularization, stylistic development, glorification, decay, and rebirth in a continuous transnational dialogue between Cuba and Mexico as well as New Orleans, the authors explore the production, consumption, and transformation of this Afro-diasporic performance complex in relation to global and local ideological discourses. By focusing on interactions across this entire region as well as specific local scenes, Madrid and Moore underscore the extent of cultural movement and exchange within the Americas during the late nineteenth and early twentieth centuries, and are thereby able to analyze the danzón, the dance scenes it has generated, and the various discourses of identification surrounding it as elements in broader regional processes. Danzón is a significant addition to the literature on Latin American music, dance, and expressive culture; it is essential reading for scholars, students, and fans of this music alike. Book jacket.
Contents:
Danzón matters : mapping out the issues
Genre matters : danzón as a performance complex
Race, morality, and the circulation of danzón, 1870-1940
The danzón and musical dialogues with early jazz
Nostalgia, affect and performativity in contemporary danzón scenes
Cachondería, discipline, and danzón dancing
Danzón musings beyond the dance hall.
Notes:
Includes bibliographical references and index.
ISBN:
9780199965809
0199965803
9780199965823
019996582X
OCLC:
828626848

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account