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Music in the classic period / Reinhard G. Pauly.
Van Pelt - Albrecht Music Library ML195 .P38 1988
Available
- Format:
- Book
- Author/Creator:
- Pauly, Reinhard G.
- Series:
- Prentice-Hall history of music series
- Prentice-Hall history of music series.
- Language:
- English
- Subjects (All):
- Music--18th century--History and criticism.
- Music.
- Physical Description:
- xviii, 265 pages : illustrations, music ; 23 cm.
- Edition:
- Third edition.
- Place of Publication:
- Englewood Cliffs, N.J. : Prentice Hall, [1988]
- Summary:
- Students and others interested in the history of music have always needed books of moderate length that are nevertheless comprehensive, authoritative, and engagingly written. The Prentice Hall History of Music Series was planned to fill these needs. It seems to have succeeded: revised and enlarged second editions of books in the series have been necessary, and now a new cycle of further revisions exists.
- Contents:
- Part 1 The Evolution of Classic Style 1
- 1 "Classicism" in Music 1
- Various meanings of "classicism" 1
- Classical music and classical antiquity 3
- Nineteenth-century uses of "classic" and "romantic" 5
- The "Viennese school" 6
- Were there always "classics" in music? 7
- Extent of the Classic period
- scope of this book 8
- 2 Late Baroque and Rococo Style 11
- Rococo and Style galant in music: opera and ballet 16
- Italy: opera seria 18
- Italy: opera buffa 20
- The operatic overture 21
- France: instrumental music 21
- Germany: empfindsamer Stil 24
- The Italian keyboard sonata 31
- 3 The Pre-Classic Symphony 37
- "Sonata form" 38
- The Classic orchestra 44
- Italy 46
- Germany: Berlin and Mannheim 48
- Austria 55
- International aspects of Classic style 56
- 4 The Background of the Classic Period 61
- Austria 62
- Salzburg 64
- Intellectual background: political philosophy 66
- The classic revival (neoclassicism) in the fine arts 67
- Social changes affecting music
- musical patronage 68
- Connoisseur and amateur 69
- Changing social status of the musician 71
- Musical life in the Classic era 73
- 5 Haydn and Mozart 82
- Joseph Haydn (1732-1809) 82
- Wolfgang Amadeus Mozart (1756-91) 93
- Part 2 The Main Musical Categories of the Classic Period 105
- 6 The Classic Symphony 105
- Haydn 105
- Mozart 111
- 7 The Classic Sonata 121
- Haydn's keyboard sonatas 122
- Mozart's keyboard sonatas 125
- Clementi and other contemporaries 134
- Four-hand piano music 136
- Other sonatas 139
- 8 The Classic Concerto 145
- Mozart's violin concertos 150
- Mozart's piano concertos 152
- 9 Chamber Music, Divertimento, Serenade 157
- Definitions and categories 157
- Toward the string quartet 159
- Haydn's later quartets 162
- Other chamber music by Haydn 165
- Mozart's string quartets 166
- Other chamber music by Mozart 168
- Boccherini's chamber music 169
- Divertimento and serenade 170
- Music for larger wind ensembles 175
- 10 The Art Song (Lied) Before Schubert 178
- Songs of the "Second Berlin School" 179
- Mozart's songs 185
- 11 Opera in the Classic Era 191
- Mozart's Italian operas 199
- Mozart's German operas 206
- 12 Sacred Music of the Classic Era 210
- Protestant church music 211
- Catholic church music 212
- The oratorio 222
- Mozart's oratorios 224
- Organs and organ music 225
- 13 From Classicism to Romanticism 233
- Music and the French Revolution 235
- Ludwig van Beethoven (1770-1827) 235
- Beethoven's songs 242
- Beethoven and Romanticism 246
- The changing guitar and its repertory 247
- Conclusion: Classic Music and Today's Listener 252
- The "early music" movement and the Classic period 255.
- Notes:
- Includes bibliographies and index.
- ISBN:
- 0136076238
- OCLC:
- 16004188
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