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Distance, theatre, and the public voice, 1750-1850 / Melynda Nuss.
Van Pelt Library PR719.S63 N87 2012
Available
- Format:
- Book
- Author/Creator:
- Nuss, Melynda.
- Language:
- English
- Subjects (All):
- English drama--18th century--History and criticism.
- English drama.
- Space and time in literature.
- English drama--19th century--History and criticism.
- Theater--Great Britain--History--18th century.
- Theater.
- Theater audiences.
- Authors and readers.
- Great Britain.
- History.
- Theater--Great Britain--History--19th century.
- Romanticism--Great Britain.
- Romanticism.
- Authors and readers--Great Britain.
- Theater audiences--Great Britain.
- Physical Description:
- x, 197 pages ; 23 cm
- Edition:
- First edition.
- Place of Publication:
- New York : Palgrave Macmillan, 2012.
- Summary:
- "Distance, Theater and the Public Voice explores the ways in which theater helped authors imagine connecting with a new mass audience. As theaters expanded, the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Distance, Theater and the Public Voice shows how writers experimented with theatrical situations--both old and new, legitimate and illegitimate--as they crafted a voice that could sound intimate and personal even as it broadcast itself to an imagined public"-- Provided by publisher.
- Contents:
- Machine generated contents note:
- Introduction: Impossible Theaters
- 1. Pantomime: Killing the Drama in Order to Save It
- 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald
- 3. Man Seeing: Wordsworth and the Theatrical Voice
- 4. 'The Great Master Of Ideal Mimicry": Shelley's Struggle With The Actor
- 5. Creative Spectacle: Hunt, Hazlitt, De Quincey
- Conclusion: Reaching a Mass Audience Face to Face.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 9781137291400
- 1137291400
- OCLC:
- 798615469
- Online:
- Cover image
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