My Account Log in

2 options

The use of poetry and the use of criticism : studies in the relation of criticism to poetry in England / T.S. Eliot.

Van Pelt Library PR503 .E45 1986
Loading location information...

Available This item is available for access.

Log in to request item
LIBRA - Special PR503 .E45 1986
Loading location information...

Available in person This item can be accessed at the library reading room.

Request an item

Access options

Format:
Book
Author/Creator:
Eliot, T. S. (Thomas Stearns), 1888-1965.
Contributor:
Gotham Book Mart Collection (University of Pennsylvania)
Series:
Charles Eliot Norton lectures ; 1932-1933.
The Charles Eliot Norton lectures for 1932-33
Language:
English
Subjects (All):
English poetry--History and criticism.
English poetry.
Criticism--Great Britain.
Criticism.
Great Britain.
Penn Provenance:
Gotham Book Mart (former owner) (Gotham Book Mart Collection copy)
Physical Description:
149 pages ; 21 cm.
Place of Publication:
Cambridge, Mass. : Harvard University Press, [1986?], c1961.
Summary:
The 1932-33 Norton Lectures are among the best and most important of T. S. Eliot's critical writings. Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot does not simply examine the relation of criticism to poetry, but invites us to "start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is." -- Eliot begins with the appearance of poetry criticism in the age of Dryden, when poetry became the province of an intellectual aristocracy rather than part of the mind and popular tradition of a whole people. Wordsworth and Coleridge, in their attempt to revolutionize the language of poetry at the end of the eighteenth century, made exaggerated claims for poetry and the poet, culminating in Shelley's assertion that "poets are the unacknowledged legislators of mankind." And, in the doubt and decaying moral definitions of the nineteenth century, Arnold transformed poetry into a surrogate for religion. By studying poetry and criticism in the context of its time, Eliot suggests that we can learn what is permanent about the nature of poetry, and makes a powerful case for both its autonomy and its pluralism in this century.
ISBN:
0674931505
OCLC:
14719571

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account