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Theatres of immanence : Deleuze and the ethics of performance / Laura Cull.

Van Pelt Library B2430.D454 C85 2012
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Format:
Book
Author/Creator:
Cull, Laura.
Language:
English
Subjects (All):
Deleuze, Gilles, 1925-1995.
Deleuze, Gilles.
Performing arts--Philosophy.
Performing arts.
Performing arts--Ethics.
Performance--Moral and ethical aspects.
Performance.
Ethics.
Physical Description:
x, 291 pages : illustrations ; 23 cm
Place of Publication:
Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2012.
Summary:
"Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and François Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?' "-- Provided by publisher.
Contents:
Machine generated contents note:
List of IllustrationsAcknowledgementsIntroductionImmanent authorship: From the Living Theatre to Cage and Goat IslandDisorganizing language, voicing minority: From Artaud to Carmelo Bene, Robert Wilson & Georges LavaudantImmanent imitations, animal affects: From Hijikata Tatsumi to Marcus CoatesPaying attention, participating in the whole: Allan Kaprow alongside Lygia ClarkEthical durations, opening to other times: Returning to Goat Island with WilsonIn-Conclusion: What 'good' is immanent theatre? Immanence as an ethico-aesthetic valueCodaBibliographyIndex.
Notes:
Includes bibliographical references and index.
ISBN:
9780230319523
0230319521
OCLC:
798615432

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