My Account Log in

1 option

Hollywood's chosen people : the Jewish experience in American cinema / edited by Daniel Bernardi, Murray Pomerance, and Hava Tirosh-Samuelson.

Van Pelt Library PN1995.9.J46 H63 2013
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Contributor:
Bernardi, Daniel, 1964-
Pomerance, Murray, 1946-
Tirosh-Samuelson, Hava, 1950-
Series:
Contemporary approaches to film and media series
Language:
English
Subjects (All):
Jews in motion pictures.
Jews in the motion picture industry--United States.
Jews in the motion picture industry.
United States.
Physical Description:
viii, 270 pages : illustrations ; 23 cm.
Place of Publication:
Detroit : Wayne State University Press, [2013]
Summary:
Edited by Daniel Bernardi (cinema, San Francisco State U.), Murray Pomerance (sociology, Ryerson U., CA), and Hava Tirosh-Samuelson (history and Jewish studies, Arizona State U), this is a scholarly anthology about Jewish experiences of American film. The essays are all written in intellectual styles, but range in voice from academic cultural studies analysis to informal personal essays of response. They deal with particular themes, films, filmmakers, or film stars. Almost all connect filmmaking, film viewing, and larger issues of Jewish identity and culture in America. Most deal with the experiences of Jewish audiences looking at the work of Jewish filmmakers in Hollywood, with a minority of essays looking at non-Jewish images of Jews in film, or topics in film history. The authors represent a range of perspectives, and tend to write from humanistic traditions of cultural studies rather than postmodernist traditions of critical theory. The essays point out that the Hollywood film industry was created almost entirely by Jews, many of its core creators were Jewish refugees, and social opinions about Hollywood have overlapped strongly with social opinions about American Jews. The prose is accessible to general readers, but because they reason in relationship to other academic writers on the subject, some essays will be most accessible to readers familiar with academic conversations on film history, cultural studies, or American Jewish history. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com)
Contents:
Introduction: the Hollywood question / Hava Tirosh-Samuelson, Daniel Bernardi, and Murray Pomerance
A forgotten masterpiece: Edward Sloman's His people / Lester D. Friedman
Jewish immigrant directors and their impact on Hollywood / Catherine Portuges
"A rotten bunch of vile people with no respect for anything beyond the making of money": Joseph Breen, The Hollywood Production Code, and institutionalized anti-Semitism in Hollywood / Wheeler Winston Dixon
Stardom, intermarriage, and consumption in the 1950s: the Debbie-Eddie-Liz scandal / Sumiko Higashi
Hats off to George Cukor! / William Rothman
Notes on Sontag and "Jewish moral seriousness" in American movies / Sarah Kozloff
The good German? Oskar Schindler and the movies, 1951-1993 / Peter Kramer
Representing atrocity: September 11 through the Holocaust lens / David Sterritt
David Mamet's Homicide: in or out? / Lucy Fischer
Boy-man schlemiels and super-nebishes: Adam Sandler and Ben Stiller / Vincent Brook
Who was Buddy Love?: screen performance and Jewish experience / Murray Pomerance
Assimilating Streisand: when too much is not enough / Vivian Sobchack.
Notes:
Includes bibliographical references (pages 229-244) and index.
ISBN:
9780814334829
0814334822
9780814338070
0814338070
OCLC:
776032992

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account