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Narrating the catastrophe : an artist's dialogue with Deleuze and Ricoeur / Jac Saorsa.

Fine Arts Library N66 .S26 2011
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Format:
Book
Author/Creator:
Saorsa, Jac.
Contributor:
Martin and Margy Meyerson Endowment Fund for the Built Environment.
Language:
English
Subjects (All):
Ricœur, Paul.
Deleuze, Gilles, 1925-1995.
Deleuze, Gilles.
Art and philosophy.
Physical Description:
222 pages: illustrations ; 24cm
Place of Publication:
Bristol; Chicago : Intellect, 2011.
Summary:
An extraordinary collaboration between contemporary art and critical discourse, Narrating the Catastrophe guides readers through unfamiliar textual landscapes where "being" is defined as act rather than form. Drawing on Paul Ricoeur's notion of intersubjective narrative identity as well as the catastrophe theory of Gilles Deleuze, Jac Saorsa establishes an alternative perspective from which to interpret and engage with the world around us. A highly original take on an important issue in contemporary critical debate, this book will appeal to all those interested in visual arts and philosophy. Book jacket.
Contents:
Chapter 1 Act and Form 13
Introduction: first words
The journey begins
A meaningful psychosis
What is philosophy?
What is art?
The nature of the concept
The concept visualised
What is science? The pre-eminence of the rhizome over the metaphor
Root, stem and rhizome
1st Articulation
The rhizome as a conceptual construct: map and tracing
2nd Articulation: Interpreting Process in the Flux: The Return of Professor Challenger 35
Chapter 2 Lost Worlds, Unfamiliar Landscapes: Conceptualising the Text 49
The Text and the 'Other'
Language
Hermeneutics
Edmund Husserl (1859-1938) -Martin Heidegger (1889-1976)
Hermeneutics and Visual Understanding Hans George Gadamer (1900-2002)
Paul Ricoeur (1913-2005)
3rd Articulation: The Dance of the Metaphor 75
Chapter 3 Language and the Line: The Geometrical Abstract Line of Becoming 81
Drawing on Conversation
Introduction
The relevance and irrelevance of language
Textual bilingualism
Interlanguage
Structure and the interpretation of the text
Depth
From looking to seeing: Alice and the architectural illusion
Narrative identity and 'The Idiot'
Chapter 4 Drawing Out Deleuze 103
Documenting the Stone: The artist's voice
Practice and process: i: a passion for the line
ii: process and its histories
iii: the phenomenographical stone
iv: the drawing act
v: time, movement, becoming, cause, effect and 'confatalia'
The shift: structure to figuration.
4th Articulation: Mapping the Mark 121
Chapter 5 The 'Appleyness' of the Apple: On Cézanne and the Figure 129
Head: Revisiting the shift: from figuration towards structure
Sensation
Love in two-dimensions
Superficial anatomy
Anatomical architecture
The consequence of the heart
Autoethnography: the echoing artist's voice
Chapter 6 Ageless Children and Amputees 151
Amputee: In the valley of interpretation
An artist for scientists, a scientist for artists
Reflexion, interpretation appropriation
Reflexive philosophy, narrative identity and the teleological context
Time, self, and appropriation beyond narrative -Representation, figuration and the figure: a folded text
5th Articulation: Bony Landmarks 173
Chapter 7 Circling the Figure 183
The Dyer Drawing: Circling the Figure (Author's note)
The Dyer drawing and the drawing act
John Deakin
Deakin and Muybridge: subject, object, form, function
Moving towards sensation
Practice: through which the child becomes the man
An autoethnographic account
The 'Diagram'
The 'Catastrophe'
Rhythm
The Body Without Organs
Exit the artist
Chapter 8 Figuring the Circle: The Final Refrain 203
The hermeneutic circle
The Deleuzean 'Refrain'
Shadows of the Self and the eternal paradox: The autoethnographic trap
Last words
The interpretive journey of Narrating the Catastrophe.
Notes:
Includes bibliographical references (pages [217]-222)
Local Notes:
Acquired for the Penn Libraries with assistance from the Martin and Margy Meyerson Endowment Fund for the Built Environment.
ISBN:
1841504602
9781841504605
OCLC:
711050766
Publisher Number:
99947773754

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