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The art of āvāz and Mohammad Reza Shajarian : foundations and contexts / Rob Simms and Amir Koushkani.

Van Pelt - Albrecht Music Library ML420.S518 S55 2012
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Format:
Book
Author/Creator:
Simms, Rob, 1962- author.
Koushkani, Amir, 1968- author.
Language:
English
Subjects (All):
Shadjariân, Mohammad Rezâ.
Singing--Iran--History and criticism.
Singing.
Songs, Persian--Iran.
Songs, Persian.
Iran.
Music--Iran--History and criticism.
Music.
Physical Description:
xv, 309 pages : illustrations, music ; 24 cm
Place of Publication:
Lanham ; Boulder ; New York ; Toronto ; Plymouth, UK : Lexington Books, [2012]
Summary:
The Art of Avaz and Mohammad Reza Shajarian: Foundations and Contexts, by Rob Simms and Amir Koushkani, examines the traditional art of singing classical Persian poetry, as represented by its greatest living exponent. This in-depth study surveys the social and historical context of the twentieth-century tradition of avaz and places Shajarian's early career-from a child prodigy of Qur'an recitation in Mashhad, to his rise to national prominence in the 1970s-within this complex culture.
As a globetrotting celebrity renowned for singing medieval poetry with impeccable technique and radiant inspiration, Shajarian's life and work provide a compelling case study for larger issues of reconciling tradition and modernity, as well as the crucial role of the individual in maintaining and renovating traditional art forms. Avaz is discussed in the broader context of Iranian narrative performance traditions: performers retell well-known scripts in a way appropriate to the audience and the present occasion, spinning the tale to convey a personal message. Shajarian's career also exemplifies the huge changes Iranian musical culture underwent in the 1960s and 1970s. Finally, the study includes a detailed examination of the materials and creative processes of Shajarian's artistic craft. The Art of Avaz and Mohammad Reza Shajarian is an impressively detailed study of the music, life, and environment of the most influential musician in Iranian classical music of the past three decades. Book jacket.
Contents:
Chapter 1 Before Coming In (Pishdaramad)
Introduction 1
Iham: Multiple Meaning, Uncertainty and Complexity 7
Narratives and Their Performance 13
The Occasion, Connectedness, and Appropriateness 17
Avaz and Tasnif 25
Histories of Avaz and Sung Poetry 27
Individuals and Groups 31
Musical Tradition 39
Chapter 2 Mashhad Roots
Shajarian's Early Musical Formation and Activities 61
Tradition and Its Guardians 64
Traditional Narratives, Performance Genres and Performers 66
Performing Truth: Truth-Telling and Authority 83
Affekt 91
Sufism and Music 103
Chapter 3 To Tehran
Innovators and Modernizers of the Early-Twentieth Century 121
Women in Persian Music and Avaz 123
Transmission, Patronage, Mediation, and Institutionalization 126
Shajarian's Professional Activities in the 1970s 160
Chapter 4 Performing Avaz
Poetry, Music, and Their Combination 168
Vocal Technique 174
Materials 181
Processes 197
Layers 217
Gesture and Dramatic Implications 257
Forud/Bridge 260.
Notes:
Includes bibliographical references and index.
ISBN:
9780739172117
0739172115
OCLC:
758392622

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