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Audacious euphony : chromaticism and the triad's second nature / Richard Cohn.

Van Pelt - Albrecht Music Library MT50 .C736 2012
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Format:
Book
Author/Creator:
Cohn, Richard Lawrence, 1955-
Series:
Oxford studies in music theory
Language:
English
Subjects (All):
Harmony.
Triads (Music).
Physical Description:
xvii, 237 pages : illustrations ; 25 cm.
Place of Publication:
New York : Oxford University Press, [2012]
Contents:
1 Mapping the Triadic Universe 1
Three Ways to Calculate Triadic Distance 1
Triads in Chromatic Space 8
Remarks on Syntax and Maps 13
2 Hexatonic Cycles 17
A Minimal-Work Model of the Triadic Universe 17
The Hexatonic Trance 20
Contrary Motion and Balance 24
Hexatonic Progressions, Tonnetz Representations, and Triadic Transformations 25
Near Evenness, Minimal Voice Leading, and the Central Role of Augmented Triads 33
Remarks on Dualism 37
Triadic Structure Generates Pan-Triadic Syntax 39
Triads Are Homophonous Diamorphs 40
3 Reciprocity 43
The Historical Emergence of Augmented Triads 43
Consonance/Dissonance Reciprocity 46
Two Early-Century Examples: Beethoven and Schubert 48
Three Late-Century Examples: Liszt, Rimsky-Korsakov, Fauré 49
Reciprocity in Weitzmann's Der Ubermässige Dreiklang 56
4 Weitzmann Regions 59
The Structure of a Weitzmann Region 59
Weitzmann Transformations and N/R Cycles 61
Remarks on the Tonnetz 65
Historical Origins of Weitzmann Regions 67
The Double-Agent Complex 72
Expanded N/R Chains 76
Weitzmann Regions without Sequences: Wagner and Strauss 78
5 A Unified Model of Triadic Voice-Leading Space 83
How Hexatonic and Weitzmann Regions Interact 83
Chromatic Sequences 89
Transformational Substitutions 95
Voice-Leading Zones 102
Remarks on Disjunction and Entropy 106
6 Navigating the Triadic Universe: Three Compositional Scripts 111
Neighborhoods and Pitch Retention Loops 113
Departure → Return Scripts 121
Continuous Upshifts 131
7 Dissonance 139
Four Eighteenth-Century Approaches to Dissonance 139
Reduction to a Triadic Subset 142
Hexatonic Poles in Parsifal 145
Vie Tristan Genus as Nearly Even Tetrachord 148
Circumnavigating the Tristan-Genus Universe 159
Scriabin's Mystic Species and Generalized Weitzmann Regions 166
8 Syntactic Interaction and the Convertible Tonnetz 169
Some Previous Proposals 169
The Diatonic Tonnetz 175
Horizontal Extensions 179
Vertical Extensions 184
The Convertible Tonnetz 186
Two Analytical Vignettes: Wagner and Brahms 189
9 Double Syntax and the Soft Revolution 195
A Summary Example from Schubert 195
Double Syntax and Its Skeptics 199
Code Switching and Double Determination 201
Cognitive Opacity 203
The Soft Revolution 205
On Musical Overdetermination 208.
Notes:
Includes bibliographical references and index.
ISBN:
9780199772698
019977269X
9780199832828
019983282X
OCLC:
704243841

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