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Film Exhibition and Distribution in Ireland, 1909-2010.

LIBRA PN1993.5.I85 R63 2011
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Format:
Book
Author/Creator:
Rockett, Kevin.
Contributor:
Rockett, Emer.
Language:
English
Subjects (All):
Motion pictures--Ireland--History.
Motion pictures.
History.
Ireland.
Physical Description:
652 pages : illustrations ; 24 cm
Place of Publication:
Dublin : Four Courts Press Ltd, 2011.
Summary:
Rockett (film studies, Trinity College Dublin) provides a thorough study, organizing the subject as follows: film distribution and exhibition, 1909-29; economic protectionism and foreign oligopoly, 1929-46; British and American film interests in Ireland after the Second World War; the emergence of Ward Anderson and the challenge from new distribution technologies; multiplexes; alternative exhibition; Irish Catholic film policies in the 1920s and 1930s; and establishing a Catholic-sanctioned film culture. The final chapter addresses cinema buildings and includes a list of cinemas and public venues screening films in Ireland arranged by county. Statistics pertaining to the industry are appended. The volume is distributed in the US by ISBS. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com)
Contents:
Part 1 Commercial Cinema Exhibition and Distribution
1 Film Distribution and Exhibition, 1909-29 15
Ireland's first fun-time cinema: James Joyce and the Volta 15
The first cinema building boom, and early exhibition practices throughout Ireland 22
Distribution: from sale to hire and from first-run to second-run cinemas 38
Going to the pictures during the silent period 41
The struggle over Sunday opening in Dublin and Belfast 47
From crisis to stability 60
2 Economic Protectionism and Foreign Oligopoly, 1929-46 72
The second Irish cinema building boom, 1929-39 72
Economic nationalism and British exhibition: 'alien penetration' in the 1930s 84
Northern Ireland's exhibition wars in the 1930s and 1940s 96
Other effects of war on Irish exhibition, north and south 106
The nature of competition: exhibition 108
The nature of competition: distribution 111
3 Dividing the Spoils: British and American Film Interests in Ireland after the Second World War 115
J. Arthur Rank's cinema empire 115
Cinema taxation 125
The post-war audience 140
Innovation, retrenchment and reorganization 149
4 The Emergence of Ward Anderson and the Challenge from New Distribution Technologies 159
The Ward Anderson companies 159
Investigating monopoly practices 166
Further decline in the 1980s 175
The challenge from new distribution technologies 179
5 Multiplexes and the Renewal of Irish Exhibition 193
Defining the multiplex 193
The multiplex in Ireland 201
Ward Anderson and the multiplex 210
The megaplex 214
Other developments in Irish exhibition from the late 1990s 217
Part 2 Alternative Film Practices
6 Alternative Exhibition 229
Irish Film Society/Cumann na Scannán 2.29
Federation of Irish Film Societies/Access>CINEMA 242
Cultural cinema in Northern Ireland 246
Commercial art cinema in the Irish Republic 249
Project Cinema Club 252
Irish Film Theatre 253
Irish Film Institute cinemas (including the Light House Cinema, Abbey Street) 260
Dedicated full-time art cinemas outside the capital 265
Film festivals in Cork, Dublin, Galway, Derry, Belfast and elsewhere 270
7 Irish Catholic Film Policies in the 1920s and 1930s 293
The Catholic hierarchy and the immorality of imported popular culture 293
Father Richard Devane's crusade for an Irish film institute 299
The state responds 307
The Catholic hierarchy and film policy 314
8 Establishing a Catholic-Sanctioned Film Culture in Ireland 319
Establishing an Irish (Catholic) film institute 319
The National Irish Film Institute of Ireland, 1945-82 336
The perennial controversy: children and the cinema 341
Archbishop McQuaid and the screening of religious themed films 353
Part 3 Cinema Buildings in Ireland
9 Irish Cinemas 366
The cinema building 366
A note on sources and scope of cinemas' list 367
List of cinemas and public venues screening films in Ireland (arranged by county) 369.
ISBN:
9781846823169
1846823161
OCLC:
744284374

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