My Account Log in

1 option

Shi'i Islam in Iranian cinema : religion and spirituality in film / Nacim Pak-Shiraz.

Van Pelt Library PN1993.5.I7 P35 2011
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Pak-Shiraz, Nacim.
Series:
International library of cultural studies ; 17.
International library of cultural studies ; 17
Language:
English
Subjects (All):
Motion pictures--Iran.
Motion pictures.
Islam in motion pictures.
Motion pictures--Religious aspects--Islam.
Iran.
Physical Description:
xvi, 239 pages ; 23 cm.
Place of Publication:
London ; New York : I.B. Tauris, 2011.
Summary:
In recent years there has been a remarkable surge in Iranian films expressing contentious issues which would otherwise be very difficult to discuss publicly inside the Islamic Republic of Iran -- such as the role of clergy in Iranian society. Nacim Pak-Shiraz here highlights how many Iranian film directors concern themselves with the content of the religious and historical narratives of culture and society, sparking debate about the medium's compatibility or incongruity with religion and spirituality. She explores the various ways that Shi'i discourse emerges on screen, and offers groundbreaking insights into both the role of film in Iranian culture and society, and how it has become a medium for exploring what it means to be Iranian and Muslim after thirty years of Islamic rule. This is invaluable reading students and scholars of Film Studies and contemporary Iranian cinema, but also of the culture and identity of Iran more widely.
Contents:
Introduction 1
Approaches to the Study of Religion and Spirituality in Western Cinema 4
Shi'i Islam in Iranian Cinema 10
1 Shi'ism in Iran: An Historical Overview 15
The Appeal of Shi'ism in Iran and the Foundations of Twelver Shi'ism 17
The Twelver Shi'i State of Iran and the Shi'i Ulama 23
Conclusions 32
2 Contemporary Iranian Discourses on Religion and Spirituality in Cinema 35
Cinemas Introduction into a Muslim Society 40
Cinemas Place within Islamic Jurisprudence 43
The Paradox of Cinema as a 'Technological Art' 46
Cinema as a Domain for Religious and Spiritual Discourse 53
Conclusions 64
3 Filmic Discourses on the Role of the Clergy in Iran 67
Resistance to Monopolising Islam 71
Parables on the World of the Clergy 75
Morals and Values 85
Conclusions 91
4 Sight, Sound and Sufism: Mystical Islam in Majidi's Films 93
The Mystical Approach 96
Pain and Suffering 101
Self-Sacrifice and the Alchemy of Love 110
Conclusions 119
5 Cinema as a Reservoir for Cultural Memory 123
The Figure of Husayn and Iranian Shi'i Identity 129
Ta'ziyeh: the only Islamic Drama 136
Beyzaie: a Film-maker Rooted in 'Historical Genealogy' 144
Ta'ziyeh and its Spectators 159
Conclusions 163
6 Thinking Films: Kiarostami, A Poetic Philosopher 167
Philosophy in Film 170
Kiarostami, a 'Poetic Philosopher' 172
Reading Life and Death in Kiarostami's Films 180
Conclusions 191.
Notes:
Includes bibliographical references (pages [215]-226) and index.
Includes filmography (pages [227]-229).
ISBN:
9781848855106
1848855109
OCLC:
756900096

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account