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Automata and mimesis on the stage of theatre history / Kara Reilly.

Van Pelt Library PN1650.R63 R36 2011
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Format:
Book
Author/Creator:
Reilly, Kara.
Language:
English
Subjects (All):
Drama--History and criticism.
Drama.
Theater--History.
Theater.
History.
Robots in literature.
Mimesis in literature.
Motion in literature.
Physical Description:
xi, 220 pages ; 23 cm
Place of Publication:
Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2011.
Summary:
This book explores automata or early robots as performers on the stage of theatre history. Automata are precursors to our digital culture, demonstrating that our spectacular culture of machine-based entertainments has numerous historical precedents. Automata are surprisingly saturated with intellectual and cultural history. Chapters examine topics like English Reformation Iconoclasm's fear that art might surpass God's nature in Elizabethan moving statues, the influence that hydraulic garden automata had on Descartes's mechanical philosophy; automata as ideal objects of the aristocracy in eighteenth-century Europe; theatrical productions focused on that alluring automaton Olylmpia; and a case study of RUR, the drama that coined the word 'Robot'. At its heart, this study examines automata as both performative objects of mimesis and metaphors for the period in which they are explored. Book jacket.
Contents:
Introduction
Iconoclasm and automata
Descartes' mimetic faculty
From artistocrats to autocrats: the elite as automata
Olympia's Legacy
From automata to automation: the birth of the robot in R.U.R. (Rossum's Universal Robots)
Epilogue.
Notes:
Includes bibliographical references and index.
ISBN:
9780230232020
0230232027
OCLC:
721883991

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