Horror after 9/11 : world of fear, cinema of terror / edited by Aviva Briefel and Sam J. Miller.

Format:

Book

Contributor:

Briefel, Aviva.

Miller, Sam J.

Language:

English

Subjects (All):

Horror films--History and criticism.

Horror films.

Terror in motion pictures.

September 11 Terrorist Attacks, 2001--Influence.

September 11 Terrorist Attacks, 2001.

Physical Description:

263 pages : illustrations ; 24 cm

Edition:

First edition.

Other Title:

Horror after September eleven

Place of Publication:

Austin : University of Texas Press, 2011.

Summary:

Horror films have exploded in popularity since the tragic event of September II 2001, many of them breaking box office records and generating broad public discourse. These films have attracted. A list talent and earned award nods, while at the same time becoming darker more distributing and increasingly apocalyptic. Why has horror suddenly become more popular, and why does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror want to consume images of violence screen?

Horror after 9/II represents the first major exploration of the horror genre through the lens of 9/II and the subsequent transformation of American and global society. Films discussed included the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of Texas Chains aw Massacre; Dawn of the Dead; and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of "torture porn", the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies and a new awareness of visual tech nologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.

Aviva Briefel is Associate Professor of English at Bowdon College in Brunswick, Maine. She is the author of The Deceivers: Art Forgery and Identity the Nineteenth Century. Sam J. Miller is a writer, community organizer, and independent scholar in New York City. His work has been published in journals such as The Minnesota Review, Fiction International, Washington Square Gargoyle, and The Rumpus. Book jacket.

Contents:

Introduction / Aviva Briefel and Sam J. Miller

Why horror? Black screens, lost bodies: the cinematic apparatus of 9/11 horror / Laura Frost

Let's roll: Hollywood takes on 9/11 / Elisabeth Ford

Transforming horror : David Cronenberg's cinematic gestures after 9/11 / Adam Lowenstein

Horror looks at itself. Caught on tape? the politics of video in the new torture film / Catherine Zimmer

Cutting into concepts of "reflectionist" cinema? the saw franchise and puzzles of post-9/11 horror / Matt Hills

The host versus Cloverfield / Homay King

"Shop \'til you drop!": consumerism and horror / Aviva Briefel

Horror in action

Historicizing the Bush years: politics, horror film, and Francis Lawrence's I am legend / Steffen Hantke

"I am the devil and I'm here to do the devil's work": Rob Zombie, George W. Bush, and the limits of American freedom / Linnie Blake

"Forever family" values: Twilight and the modern Mormon vampire / Travis Sutton and Harry M. Benshoff

Assimilation and the queer monster / Sam J. Miller.

Notes:

Includes bibliographical references and index.

Includes filmography.

ISBN:

9780292726628

0292726627

9780292735330

0292735332

OCLC:

714734752