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Multimodal film analysis : how films mean / John A. Bateman and Karl-Heinrich Schmidt.
Van Pelt Library PN1995 .B2953 2012
By Request
- Format:
- Book
- Author/Creator:
- Bateman, John A.
- Series:
- Routledge studies in multimodality ; 5.
- Routledge studies in multimodality ; 5
- Language:
- English
- Subjects (All):
- Motion pictures--Philosophy.
- Motion pictures.
- Motion pictures--Semiotics.
- Physical Description:
- viii, 330 pages : illustrations ; 24 cm.
- Place of Publication:
- New York : Routledge, 2012.
- Contents:
- Analysing film. Distinguishing the filmic contribution to meaning
- Examples of filmic "textual organisation"
- Redrawing boundaries
- Organisation of the book
- Semiotics and documents. Semiotics and its relations to film
- The nature of discourse semantics
- The film as cinematographic document
- A combined view: filmic documents for filmic discourse
- Constructing the semiotic mode of film. Semiotic multimodality
- The internal organisation of semiotic strata
- Composing and combining semiotic modes
- Materiality and "epistemological commitment"
- Christian Metz and the grande syntagmatique of the image track. The original model
- Two examples of analysis with the grande syntagmatique
- Revisions and rebuttals
- Foundations for analysis: filmic units. The basic units of film: preliminaries
- Audiovisual iconic representations
- Perception, perceptual realism and reliable measurement
- Multiplicity: from perception to discourse
- Filmic units revisited: discourse-motivated definitions
- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique
- Capturing discourse dependency structures in film
- The paradigmatic dimensions of projection, taxis and plane
- Two examples of paradigmatic analysis
- Summary and conclusions.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 9780415883511
- 0415883512
- OCLC:
- 641536304
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