Ken Loach : The politics of film and television / John Hill.

Format:

Book

Author/Creator:

Hill, John (W. John)

Contributor:

British Film Institute.

Language:

English

Subjects (All):

Loach, Ken, 1936---Criticism and interpretation.

Loach, Ken.

Loach, Ken, 1936-.

Motion picture producers and directors--Great Britain.

Motion picture producers and directors.

Criticism and interpretation.

Great Britain.

Physical Description:

250 pages : illustrations ; 25 cm

Place of Publication:

Basingstoke : Palgrave Macmillan, 2011.

Summary:

Ken Loach is a national treasure', one critic has observed. 'It just seems that the nation that produced him is not always keen to treasure him'.

Ken Loach is probably the most distinguished English film-maker at work today, who, over the past forty years, has been responsible for consistently outstanding British films and television productions such as Up the Junction (1965), Cathy Come Home (1966), Kes (1969), Days of Hope (1975), The Wind That Shakes the Barley (2006) and Looking for Eric (2009). During his long and distinguished career, Loach has retained a commitment to radical politics and has continued to make work that arouses both controversy and debate.

John Hill's new study of the director provides the most authoritative account of his work to date and the controversies that it has generated. Drawing on a range of primary source material, the book begins with a discussion of Loach's lesser-known work for television before going on to consider the impact of two of his most famous productions, Up the Junction and Cathy Come Home. It also considers Loach's growing politicisation and the public arguments, and internal conflicts within the BBC, that accompanied productions such as The Big Flame and Days of Hope.

Hill also charts Loach's move into feature film production with Poor Cow and the way in which his approach to filming began to change with Kes. Explaining how Loach's career and critical standing has become increasingly dependent upon international funding and distribution, Hill then discusses how Loach's films challenge the status quo in the way in which they represent both contemporary Britain (in films such as The Navigators, Ae Fond Kiss ... and Looking for Eric) and political struggles of the past (in Land and Freedom and The Wind That Shakes the Barley).

Bringing together an investigation of social contexts, institutional settings, formal techniques and political ideas, Ken Loach: The Politics of Film and Television not only provides an illuminating account of Loach's career but also a valuable guide to debates surrounding the politics of film and television drama more generally. Book jacket.

Contents:

1 Towards 'a new drama for television': Diary of a Young Man and The End of Arthur's Marriage 8

2 'Urgently contemporary and socially relevant': From A Tap on the Shoulder to Up the Junction 25

3 Blurring 'the distinction between fact and fiction': Cathy Come Home, In Two Minds and The Golden Vision 51

4 'The play of political advocacy': The Big Flame and The Rank and File 80

5 From Television into Film: Poor Cow, Kes and Family Life 104

6 'This is our history': Days of Hope 134

7 'The UK's pre-eminent arthouse director': From Television Censorship to 'Art Cinema' 157

8 'It's a free world': Social Change and Class from Riff-Raft to Looking for Eric 175

9 'What might have been': Land and Freedom and The Wind That Shakes the Barley 202.

ISBN:

9781844572038

184457203X

OCLC:

741076841