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Critical ethnography : method, ethics, and performance / D. Soyini Madison.

Penn Museum Library GN345 .M324 2012
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Format:
Book
Author/Creator:
Madison, D. Soyini.
George Clapp Vaillant Book Fund. PU
Contributor:
George Clapp Vaillant Book Fund.
Language:
English
Subjects (All):
Ethnology--Methodology.
Ethnology.
Ethnology--Fieldwork.
Anthropological ethics.
Physical Description:
xiv, 285 pages ; 23 cm
Edition:
Second edition.
Place of Publication:
Thousand Oaks, Calif. : Sage, [2012]
Summary:
"This text presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The book explores an ethics of ethnography while illustrating the relevance of performance ethnography across disciplinary boundaries. The new edition is comprehensive, incorporating more extended discussions on theories and methods, thereby providing the reader with a broad range of considerations and choices. It also includes chapters on visual culture and performance"-- Provided by publisher.
Contents:
1 Introduction to Critical Ethnography: Theory and Method 1
Defining Terms: What Is the Critical in Critical Ethnography? 5
Dialogue and Others 10
The Method and Theory Nexus 13
Summary 15
Warm-Ups 17
2 Methods: "Do I Really Need a Method?" A Method ... or Deep Hanging Out? 19
"Who Am I?" Starting Where You Are 21
"Who Else Has Written About My Topic?" Being a Part of an Interpretive Community 22
The Power of Purpose: Bracketing Your Subject 22
Preparing for the Field: The Research Design and Lay Summary 24
The Research Design 24
The Lay Summary 25
Interviewing and Field Techniques 27
Formulating Questions 28
Two Classic Models 29
One: The Patton Model 29
Two: The Spradley Model 31
Extra Tips for Formulating Questions 33
More Models 33
Initial Brainstorming and Puzzlements 33
Memory and the Oral History Interview 34
Langellier and Peterson's Four Entry Points of Analysis 37
Attributes of the Interviewer and Building Rapport 39
Mindful Rapport 39
Anticipation 39
Positive Naïveness 39
Active Thinking and Sympathetic Listening 40
Status Difference 40
Patiently Probing 40
Classic "Threats" 41
Coding and Logging Data 43
An Alternative View: Amira De La Garza and the Four Seasons of Ethnography 45
Summary 49
Warm-Ups 49
3 Three Stories: Case Studies in Critical Ethnography 51
Case 1 Local Activism in West Africa 52
Key Concepts in Postcolonial and Marxist Theory 52
Key Concepts in Postcolonialism 55
Key Concepts in Marxist Thought 62
Case 2 Secrets, Sexuality, and Oral History 67
Key Concepts in Phenomenology 70
Subjectivity and Belonging 73
Biopolitics and Affect 75
Key Concepts in Sexuality 77
Case 3 Community Theatre: Conflicts and Organization 81
Key Concepts in Theories of Difference: Race 84
Key Concepts in Theories of Difference: Gender 89
Problems of Gender in the Field: "Women Like Us and Women Not Like Us" 91
Warm-Ups 93
4 Ethics 95
Ethics Is ... 96
Advocacy and Ethics 97
Religion and Ethics 102
Interview With Desmond Tutu 102
The Question of Freedom 107
Critical Ethnography and the Ethics of Reason, the Greater Good, and Others 109
Reason 109
The Greater Good 111
Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception 118
World Traveling and Loving Perception 118
Summary 123
Warm-Ups 125
5 Methods and Ethics 127
Codes of Ethics for Fieldwork 128
Code of Ethics of the American Anthropological Association 128
Extending the Codes 137
Moral Dilemmas 137
Conceptual Errors 140
Dialogical Performance 142
Warm-Ups 146
6 Methods and Application: Three Case Studies in Ethical Dilemmas 147
Case 1 Local Activism in West Africa 147
Advocacy, Representation, and Voice 147
Method and Advocacy 151
Case 2 Secrets, Sexuality, and Oral History 155
Trust, Confidentiality, and Informed Consent 155
Method and Confidentiality 158
Case 3 Community Theatre: Conflicts and Organization 160
Fairness, Critical Judgment, and Policy Implications 160
Method and Criticism 161
Warm-Ups 163
7 Performance Ethnography 165
Foundational Concepts in Performance and Social Theory 166
Performance as Experience 166
Performance as Social Behavior 168
Performance as Language and Identity 177
Performativity 179
Utopian Performatives 182
The Performance Interventions of Dwight Conquergood 184
Process and Performance 184
The Body and Scriptocentrism 185
Dialogical Performance 186
Cultural Politics 187
Staging Ethnography and the Performance of Possibilities 190
The Subjects 191
The Audience 193
The Performers 195
Autoethnography and/or Reflexive Ethnography 197
Three Examples of Critical Reflexivity in Autoethnography 199
Warm-Ups 208
8 It's Time to Write: Writing as Performance 209
Getting Started: In Search of the Muse 210
Research Questions and Statement of Purpose 211
The Muse Map and the Road Map 211
Schedules and Time Management 213
First Draft and Free Writing 216
The Anxiety of Writing: Wild Mind and Monkey Mind 217
Continents, Islands, and the Editor 218
Writing as Performance and Performance as Writing 220
Performative Writing Is to Embrace 220
Performative Writing Is to Enact 223
Performative Writing Is to Embody 227
Performative Writing Is to Effect 230
Warm-Ups 232
9 The Case Studies 233
Case 1 Staging Cultural Performance 233
Why Did Joan Choose to Adopt and Direct a Cultural Performance From Her Fieldwork? 234
How Did Joan Translate Her Fieldwork to the Stage? What Was Her Process? 234
What Stage Techniques Did Joan Adapt? 235
Did Joan Encourage a Collaborative Process in Directing the Performance? 237
Could Joan Have Employed a More Collaborative Approach? 238
Case 2 Oral History and Performance 238
What Is Poetic Transcription? 239
Did Robert's Theoretical Analysis Threaten to Diminish the Living Voices and Perspectives of His Narrators? 242
Case 3 The Fieldwork of Social Drama and Communitas 243
When Did the Breach Occur? 244
How Did the Crisis Evolve? 244
What Form Did Redressive Action Take? 245
How Did Communitas Invoke Reintegration? 246
Warm-Ups 248.
Notes:
Includes bibliographical references and index.
Local Notes:
Acquired for the Penn Libraries with assistance from the George Clapp Vaillant Book Fund.
ISBN:
1412980240
9781412980241
OCLC:
701672511
Publisher Number:
99944269183

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