Shakespeare's memory theatre : recollection, properties, and character / Lina Perkins Wilder.

Format:

Book

Author/Creator:

Wilder, Lina Perkins, 1976-

Contributor:

Horace Howard Furness Memorial Library (University of Pennsylvania)

Language:

English

Subjects (All):

Shakespeare, William, 1564-1616--Criticism and interpretation.

Shakespeare, William.

Shakespeare, William, 1564-1616.

Criticism and interpretation.

Memory in literature.

Recollection (Psychology) in literature.

Shakespeare, William, 1564-1616--Dramatic production.

Physical Description:

vii, 221 pages : illustrations ; 24 cm

Place of Publication:

Cambridge, UK ; New York : Cambridge University Press, 2010.

Summary:

"Ranging from Yorick's skull to Desdemona's handkerchief, Shakespeare's mnemonic objects help audiences to recall, or imagine, staged and unstaged pasts. This study reinterprets the 'places' and 'objects' of the memory arts as a conceptual model for theatrical performance. While the memory arts demand a 'masculine' mental and physical discipline, recollection in Shakespeare's plays exploits the distrusted physicality of women and clowns. In Shakespeare's 'memory theatre', some mnemonic objects, such as Prospero's books, are notable by their absence; others, such as the portraits of Claudius and Old Hamlet, embody absence. Absence creates an atmosphere of unfulfilled desire. Engaging this desire, the plays create a theatrical community that remembers past performances. Combining materialist, historicist, and cognitive approaches, Wilder establishes the importance of recollection for understanding the structure of Shakespeare's plays and the social work done by performance in early modern London"--Provided by publisher.

Contents:

Machine generated contents note: Introduction. Staging memory; 1. Mnemonic desire and place-based memory systems: body, book, and theatre; 2. 'I do remember': the nurse, the apothecary, and Romeo; 3. Wasting memory: competing mnemonics in the Henry plays; 4. 'Baser matter' and mnemonic pedagogy in Hamlet; 5. 'The handkerchief, my mind misgives': false past in Othello; 6. 'Flaws and starts': fragmented recollection in Macbeth; 7. Mnemonic control and watery disorder in The Tempest; Conclusion. A 'most small fault': feminine 'nothings' and the spaces of memory; Bibliography.

Notes:

Includes bibliographical references and index.

ISBN:

9780521764551

0521764556

OCLC:

651077888

Online:

Contributor biographical information

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