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Deleuze and film music : building a methodological bridge between film theory and music / by Gregg Redner.
Van Pelt - Albrecht Music Library ML2075 .R43 2011
Available
- Format:
- Book
- Author/Creator:
- Redner, Gregg.
- Language:
- English
- Subjects (All):
- Deleuze, Gilles, 1925-1995.
- Deleuze, Gilles.
- Motion picture music.
- Physical Description:
- 194 pages ; 23 cm
- Place of Publication:
- Bristol, UK ; Chicago, USA : Intellect, 2011.
- Summary:
- The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements.
- Contents:
- Introduction
- Methodology
- Deleuzian sensation and Maurice Jaubert's score for L'Atalante
- The division of the one: Leonard Rosenman and the score for East of Eden
- Dmitri Shostakovich's score for Kozintsev's Hamlet
- Fragments of a life: becoming-music/woman In Kryzysztof Kieslowski's Blue
- The changing conception of space as a delineator In film score style: a comparative analysis of the scores for Things to come and Scott of the Antarctic
- Conclusion
- References
- Corpus of films
- Films cited in text.
- Notes:
- Includes bibliographical references and filmography.
- ISBN:
- 9781841503707
- 1841503703
- OCLC:
- 587198894
- Publisher Number:
- 99941005617
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