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Deleuze and film music : building a methodological bridge between film theory and music / by Gregg Redner.

Van Pelt - Albrecht Music Library ML2075 .R43 2011
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Format:
Book
Author/Creator:
Redner, Gregg.
Language:
English
Subjects (All):
Deleuze, Gilles, 1925-1995.
Deleuze, Gilles.
Motion picture music.
Physical Description:
194 pages ; 23 cm
Place of Publication:
Bristol, UK ; Chicago, USA : Intellect, 2011.
Summary:
The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements.
Contents:
Introduction
Methodology
Deleuzian sensation and Maurice Jaubert's score for L'Atalante
The division of the one: Leonard Rosenman and the score for East of Eden
Dmitri Shostakovich's score for Kozintsev's Hamlet
Fragments of a life: becoming-music/woman In Kryzysztof Kieslowski's Blue
The changing conception of space as a delineator In film score style: a comparative analysis of the scores for Things to come and Scott of the Antarctic
Conclusion
References
Corpus of films
Films cited in text.
Notes:
Includes bibliographical references and filmography.
ISBN:
9781841503707
1841503703
OCLC:
587198894
Publisher Number:
99941005617

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