My Account Log in

1 option

On the battlefield of memory : the First World War and American remembrance, 1919-1941 / Steven Trout.

Van Pelt Library D524.7.U6 T78 2010
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Trout, Steven, 1963-
Language:
English
Subjects (All):
World War, 1914-1918--Social aspects--United States.
World War, 1914-1918.
Collective memory--United States.
Collective memory.
Memory--Social aspects--United States.
Memory.
Memory--Social aspects.
United States.
World War, 1914-1918--Influence.
Physical Description:
xxxiii, 304 pages : illustrations ; 24 cm
Place of Publication:
Tuscaloosa : University of Alabama Press, [2010]
Summary:
This work is a detailed study of how Americans in the 1920s and 1930s interpreted and remembered the First World War. Steven Trout asserts that from the beginning American memory of the war was fractured and unsettled, more a matter of competing sets of collective memories--each set with its own spokespeople-- than a unified body of myth. The members of the American Legion remembered the war as a time of assimilation and national harmony. However, African Americans and radicalized whites recalled a very different war, and so did many of the nation's writers, filmmakers, and painters. Trout studies a wide range of cultural products for their implications concerning the legacy of the war: John Dos Passos's novels Three Soldiers and 1919 , Willa Cather's One of Ours , William March's Company K , and Laurence Stallings's Plumes ; paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry; portrayals of the war in The American Legion Weekly and The American Legion Monthly; war memorials and public monuments like the Tomb of the Unknown Soldier; and commemorative products such as the twelve-inch tall Spirit of the American Doughboy statue. -- Trout argues that American memory of World War I was not only confused and contradictory during the '20s and '30s, but confused and contradictory in ways that accommodated affirmative interpretations of modern warfare and military service. Somewhat in the face of conventional wisdom, Trout shows that World War I did not destroy the glamour of war for all, or even most, Americans and enhanced it for many.
Contents:
Introduction : memory, history, and America's First World War
Custodians of memory : the American legion and interwar culture
Soldiers well-known and unknown : monuments to the American doughboy, 1920-1941
Painters of memory : Harvey Dunn, Horace Pippin, and John Steuart Curry
Memory's end? : Quentin Roosevelt, World War II, and America's last doughboy.
Notes:
Includes bibliographical references and index.
ISBN:
9780817317058
0817317058
9780817383497
0817383492
OCLC:
504277522

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account