1 option
The great image has no form, or, On the nonobject through painting / François Jullien ; translated by Jane Marie Todd.
Fine Arts Library ND1040 .J8513 2009
By Request
- Format:
- Book
- Author/Creator:
- Jullien, François, 1951-
- Standardized Title:
- Grande image n'a pas de forme ou Du non-objet par la peinture. English
- Language:
- English
- French
- Subjects (All):
- Painting, Chinese--Philosophy.
- Painting, Chinese.
- Aesthetics, Chinese.
- Physical Description:
- xvii, 263 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm
- Other Title:
- Great image has no form
- On the nonobject through painting
- Place of Publication:
- Chicago : University of Chicago Press, 2009.
- Summary:
- In premodern China, elite painters used imagery not to mirror the world around them but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, The Great Image Has No Form explores the "nonobject"-a notion exemplified by paintings that do not seek to represent observable surroundings.
- François Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted. Book jacket.
- Contents:
- Web of texts and corpus
- Presence-absence
- From the foundation-fount of painting
- Vague-drab-indistinct
- The great image has no form
- Theory of the sketch
- Empty and full
- Not quitting, not sticking
- Quitting form to achieve resemblance
- The spirit of a landscape
- On the truth in painting
- Gaze or contemplation?
- Peindre n'est pas dépeindre
- Ink and brush, form and color
- What does painting write?
- Image-phenomenon: painting transformation and life.
- Notes:
- Includes bibliographical references and index.
- Translated from the French.
- ISBN:
- 9780226415307
- 9780226415314
- 0226415309
- 0226415317
- OCLC:
- 291193339
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.