My Account Log in

2 options

The great transformation of musical taste : concert programming from Haydn to Brahms / William Weber.

Table of contents only Available online

View online
Van Pelt - Albrecht Music Library ML240 .W43 2008
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Weber, William, 1940-
Language:
English
Subjects (All):
Concerts--Europe--History--19th century.
Concerts.
Concerts--Europe--History--18th century.
Music--Social aspects--History--19th century.
Music.
Music--Social aspects--History--18th century.
Music--Social aspects.
History.
Europe.
Physical Description:
xv, 334 pages, 26 unnumbered pages of plates : illustrations ; 24 cm
Place of Publication:
Cambridge ; New York : Cambridge University Press, 2008.
Summary:
Grounded in knowledge of thousands of programs, this book examines how musical life in London, Paris, Leipzig, Vienna, Boston, and other cities underwent a fundamental transformation in relationship with movements in European political life. William Weber traces how musical taste evolved in European concert programs from 1750 to 1875, as separate worlds arose around classical music and popular songs. In 1780 a typical program accommodated a variety of tastes through a patterned "miscellany" of genres, held together by diplomatic musicians. This framework began weakening around 1800 as new kinds of music appeared, from string quartets to quadrilles to ballads, which could not easily coexist on the same programs. Utopian ideas and extravagant experiments influenced programming as ideological battles were fought over who should govern musical taste. More than a hundred illustrations or transcriptions of programs enable readers to follow Weber's analysis in detail.
Contents:
Miscellany and collegiality, 1750-1800
Concepts and contexts
Variations on miscellany
Crisis and experiment, 1800-1848
Musical idealism and the crisis of the old order
The rise of the chamber music concert
Convention and experiment in benefit and virtuoso concerts
Toward classical repertory in orchestral concerts
Promenade concerts : rise of the "pops"
Founding a new order, 1848-1875
Classical music achieves hegemony
Vocal music for the general public
Epilogue : the state of the musical community in 1914.
Notes:
Includes bibliographical references (pages 311-319) and index.
ISBN:
9780521882606
0521882605
OCLC:
172521702

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account