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French genre painting in the eighteenth century / edited by Philip Conisbee.
LIBRA N386.U5 A36 v.72
Available from offsite location
- Format:
- Book
- Series:
- Studies in the history of art (Washington, D.C.) ; 72.
- Studies in the history of art (Washington, D.C.). Symposium papers ; 49.
- Studies in the history of art, 0091-7338 ; 72. Symposium papers ; 49 / Center for Advanced Study in the Visual Arts
- Language:
- English
- Subjects (All):
- Genre painting, French--18th century--Congresses.
- Genre painting, French.
- Genre:
- Conference papers and proceedings.
- Physical Description:
- 319 pages : illustrations (some color) ; 29 cm.
- Place of Publication:
- Washington [D.C.] : National Gallery of Art ; New Haven : Distributed by Yale University Press, [2007]
- Summary:
- Imagined scenes of daily life by Watteau, Chardin, Fragonard, Greuze, and other 18th-century French artists are the subject of this important new study. The wide range of these artists' works encompasses domestic subjects, portraits and fashion plates, and depictions of stylish entertainments, seductions, and sentimental tales. Examples span the century, from the time of Louis XIV to the French Revolution. Fifteen distinguished scholars present their latest research into the contexts and meanings of French genre painting during this period. The authors offer a variety of critical and historical perspectives, covering such topics as the relationship of genre painting to contemporary life and to sexuality, sentiment, and "sensibilité "; its patrons and collectors; its popularization through reproduction in the print trade; its contemporary critical reception; and its resonances through subsequent centuries, continuing to our own time.
- Contents:
- Preface/ Elizabeth Cropper
- Introduction / Philip Conisbee
- Femininity and the hybridity of genre painting / Susan L. Siegfried
- Man of mode: Watteau and the gendering of genre painting / Joan E. DeJean
- Belonging to the in crowd: Watteau and the bonds of art and friendship / Julie Anne Plax
- Upwardly mobile: genre painting and the conflict between landed and moneyed interests / Jörg Ebeling
- Chardin at the edge of belief: overlooked issues of religion and dissent in eighteenth-century French painting / Thomas Crow
- Putting the viewer in the frame: Greuze as sentimentalist / Emma Barker
- The Greuze girl: the invention of a pictorial paradigm / Bernadette Fort
- Painting paralysis: Filial Piety in 1763 / Kevin Chua
- Greuze in limbo: being "betwixt and between" / Mark Ledbury
- Genre and sex / Ewa Lajer-Burcharth
- Sex, sentiment, and speculation: the market for genre prints on the eve of the French revolution / Kristel Smentek
- Genre painting with Italy in mind / Richard Wrigley
- Portraiture in the mode of genre: a social interpretation / Philippe Bordes
- Nature and Moeurs: thoughts on the reception of genre painting in France / Christian Michel
- Conclusion: Jeff Wall's Adrian Walker / Michael Fried.
- Notes:
- Includes bibliographical references and index.
- Proceedings of a symposium held at the National Gallery of Art, Washington, D.C., Dec. 12-13, 2003.
- ISBN:
- 9780300120240
- 0300120249
- OCLC:
- 71173777
- Online:
- Contributor biographical information
- Publisher description
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