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Film consciousness : from phenomenology to Deleuze / Spencer Shaw.

Van Pelt Library B2430.D454 S53 2008
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Format:
Book
Author/Creator:
Shaw, Spencer, 1945-
Language:
English
Subjects (All):
Deleuze, Gilles, 1925-1995.
Deleuze, Gilles.
Motion pictures--Philosophy.
Motion pictures.
Phenomenology.
Physical Description:
x, 217 pages ; 23 cm
Place of Publication:
Jefferson, N.C. : McFarland & Co., [2008]
Summary:
"Revisits notions of memory, retentional consciousness, narrative expectation, and spatio-temporal perception while also analyzing several major films. Focuses on understanding the film experience through phenomenology; develops the idea of film consciousness as a unique vision of the world and reality. Combines the ideas of philosophers and film theorists from phenomenology with the postmodernist and transitional theorists"--Provided by publisher.
Contents:
Phenomenology and film
Origins
The spectrum of film consciousness
Dialectic misgivings
Phenomenological grounding
Realist theory
Real to reel
Lifeworld encounters
Intentionality
Phenomenological hermeneutics
Gadamer's play
Body and transcendence
Merleau-Ponty's embodiment
Expression to meaning
Bazin's ontology
The negating self
Transcendental survival
Reel time
Temporal objectivities
Self-constituting flux
Internal time-consciousness
Future expectation
Bergson : movement and intermediate imagery
Reelising memory
Bridging gaps
Walter Benjamin : the new realm of film consciousness
Materialism and allegory
Dialectical images
Mechanical reproduction and aura
Returning the gaze : aura transformed
Benjamin and surrealism
Distraction and innervation
Deleuze and cinema
Montage and movement-image
Eisenstein montage
Imaging thought process
Affectivity and the interval
Vertov and the machinic
Liquid subjectivity
Marking time
Thinking otherwise
Forks of time
Aberrance and problem ideas
The split self
Time-out-of-joint
Film events
Outside of film.
Notes:
Includes bibliographical references (pages 209-214) and index.
ISBN:
9780786433346
0786433345
OCLC:
173241125

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