My Account Log in

2 options

Theatre, intimacy & engagement : the last human venue / Alan Read.

Online

Available online

View online
Van Pelt Library PN2049 .R43 2008
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Read, Alan, 1956-
Series:
Studies in international performance
Language:
English
Subjects (All):
Theater and society.
Physical Description:
xvi, 323 pages, 24 pages of plates : illustrations (some color) ; 23 cm.
Other Title:
Theatre, intimacy and engagement
Place of Publication:
Basingstoke [England] ; New York : Palgrave Macmillan, 2008.
Summary:
The last human venue marks the location and moment of human beings' awareness of their own eventual extinction. Taking this sober end as an affirmative starting point Theatre, Intimacy & Engagement explores ways in which performance operates as an exciter of sentience, kick-starting our sense of being alive, acting as a pleasurable lengthening device to extend our inevitable fate.
Humans in this venue distinguish themselves from other animals through their experiencing of an extended childhood, in their ability to sustain a controlled, unbroken outward breath and by their unique capacity to aesthetically disappoint. Theatre companies in this venue, Forced Entertainment, Societas Raffaello Sanzio and Goat Island, generate images of epochal endings, profane resistance to sacred separation and the ecological potential of repair. Those who are stage-struck in this venue think through theatre ideas about matters of human animal concern: the politics of nature, the anthropological machine, the distribution of the sensible and the inoperative community.
Theatre, Intimacy & Engagement continues Alan Read's work on radical inclusion by proposing how a social science of appearance disturbs our assumptions as to what a politics of performance can do when it comes to expanding the collective.
Contents:
Self-evident: intimacy and engagement 1
The human laboratory: parable of a recent past 2
Nature, theatre politics: the present project 5
A second naivete: the future constitution 14
Part I On The Social Life of Theatre: Towards a Science of Appearance
The Ends of Politics 25
A Singular Art 30
The Social Conditional 40
Begin Again 44
Sufficient Goods 46
The Present Imperfect 53
Discipline in Distress 58
A Life in Theatre 68
Theatre Returns 70
Part II On Performance as Such & On Human Performance in Particular
1 The Anthropological Machine 81
2 Nature Table 102
Play ground 105
Swimming pool 111
Class room 113
3 Stage Play 120
Acknowledging 123
The imperative of performance 124
In the infancy of theatre 126
4 Ring-Side 132
5 Redeemed Night 145
Fear 146
Fauna 149
Fur 152
6 Infant Enthusiasm 157
Infant 158
Infant animal 161
Interval 164
Infant, animal, automata 165
Infant 'inhuman' Auschwitz 171
Part III On The Part of Those Who Have No Part
7 The Distribution of the Sensible 175
8 Recalling the Collective 187
9 Forensic Display 207
10 Arrested Life 218
11 The Democracy Machine 229
Memoir: Civil Service 231
Memorial: Military Service 238
Memory: Secret Service 244
Part IV In the Event of Extinction: Natural History & Its Ends
Destination Nature 252
Natural History 263
In the Event of Extinction 268
The Last Human Venue 271
The Franciscan Model 274
The paradox of the actor 277
The parallax of the performer 278
The Lazarus affect 279.
Notes:
Includes bibliographical references (pages 299-307) and index.
ISBN:
0230572618
9780230572614
OCLC:
187549011

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account