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Theatre, intimacy & engagement : the last human venue / Alan Read.
- Format:
- Book
- Author/Creator:
- Read, Alan, 1956-
- Series:
- Studies in international performance
- Language:
- English
- Subjects (All):
- Theater and society.
- Physical Description:
- xvi, 323 pages, 24 pages of plates : illustrations (some color) ; 23 cm.
- Other Title:
- Theatre, intimacy and engagement
- Place of Publication:
- Basingstoke [England] ; New York : Palgrave Macmillan, 2008.
- Summary:
- The last human venue marks the location and moment of human beings' awareness of their own eventual extinction. Taking this sober end as an affirmative starting point Theatre, Intimacy & Engagement explores ways in which performance operates as an exciter of sentience, kick-starting our sense of being alive, acting as a pleasurable lengthening device to extend our inevitable fate.
- Humans in this venue distinguish themselves from other animals through their experiencing of an extended childhood, in their ability to sustain a controlled, unbroken outward breath and by their unique capacity to aesthetically disappoint. Theatre companies in this venue, Forced Entertainment, Societas Raffaello Sanzio and Goat Island, generate images of epochal endings, profane resistance to sacred separation and the ecological potential of repair. Those who are stage-struck in this venue think through theatre ideas about matters of human animal concern: the politics of nature, the anthropological machine, the distribution of the sensible and the inoperative community.
- Theatre, Intimacy & Engagement continues Alan Read's work on radical inclusion by proposing how a social science of appearance disturbs our assumptions as to what a politics of performance can do when it comes to expanding the collective.
- Contents:
- Self-evident: intimacy and engagement 1
- The human laboratory: parable of a recent past 2
- Nature, theatre politics: the present project 5
- A second naivete: the future constitution 14
- Part I On The Social Life of Theatre: Towards a Science of Appearance
- The Ends of Politics 25
- A Singular Art 30
- The Social Conditional 40
- Begin Again 44
- Sufficient Goods 46
- The Present Imperfect 53
- Discipline in Distress 58
- A Life in Theatre 68
- Theatre Returns 70
- Part II On Performance as Such & On Human Performance in Particular
- 1 The Anthropological Machine 81
- 2 Nature Table 102
- Play ground 105
- Swimming pool 111
- Class room 113
- 3 Stage Play 120
- Acknowledging 123
- The imperative of performance 124
- In the infancy of theatre 126
- 4 Ring-Side 132
- 5 Redeemed Night 145
- Fear 146
- Fauna 149
- Fur 152
- 6 Infant Enthusiasm 157
- Infant 158
- Infant animal 161
- Interval 164
- Infant, animal, automata 165
- Infant 'inhuman' Auschwitz 171
- Part III On The Part of Those Who Have No Part
- 7 The Distribution of the Sensible 175
- 8 Recalling the Collective 187
- 9 Forensic Display 207
- 10 Arrested Life 218
- 11 The Democracy Machine 229
- Memoir: Civil Service 231
- Memorial: Military Service 238
- Memory: Secret Service 244
- Part IV In the Event of Extinction: Natural History & Its Ends
- Destination Nature 252
- Natural History 263
- In the Event of Extinction 268
- The Last Human Venue 271
- The Franciscan Model 274
- The paradox of the actor 277
- The parallax of the performer 278
- The Lazarus affect 279.
- Notes:
- Includes bibliographical references (pages 299-307) and index.
- ISBN:
- 0230572618
- 9780230572614
- OCLC:
- 187549011
- Online:
- Contributor biographical information
- Publisher description
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