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Origins of the Chinese avant-garde : the modern woodcut movement / Xiaobing Tang.
LIBRA NE1183.3 .T36 2008
Available from offsite location
- Format:
- Book
- Author/Creator:
- Tang, Xiaobing, 1964-
- Language:
- English
- Subjects (All):
- Wood-engraving, Chinese--20th century.
- Wood-engraving, Chinese.
- Avant-garde (Aesthetics)--China--History--20th century.
- Avant-garde (Aesthetics).
- History.
- China.
- Physical Description:
- xi, 300 pages, 10 unnumbered pages of plates : illustrations (some color) ; 27 cm
- Place of Publication:
- Berkeley : University of California Press, [2008]
- Summary:
- In "Origins of the Chinese Avant-Garde, "Xiaobing Tang studies the art and art theories of the first half of the twentieth century, when modern Chinese art and literature emerged. He argues that the most consequential expression of the avant-garde was the modern woodcut movement that thrived in China in the 1930s. In this innovative study--also the first comprehensive account of this Chinese movement available in English--Tang examines the aesthetic, intellectual, and social appeal of the modern woodcut and places the movement at the intersection of historical events, individual efforts, and competing discourses on art. He also shows how the woodcut movement drew upon international inspiration--from German Expressionism, Soviet wood engravings, and Japanese creative prints.
- Contents:
- 1 The Beautiful Object of Art 9
- For an Aesthetic Education
- Echoes of a New Calling
- In Pursuit of an Art Movement
- 2 Art Theory as Passionate Discourse on Subjectivity 43
- The Expressionist Imperative
- In the Whirlpool of Revolution
- To Represent an Epoch
- 3 The New Art Movement and Its Field of Vision 75
- An Aesthetic of Vigor
- Art and Its Discontent
- Seeing in Black and White
- 4 The Making of the Avant-Garde 113
- From the Ashes of the First Shanghai War
- 1933: Hangzhou and Beiping
- A Visual Esperanto
- 5 The Avant-Garde and the National Imaginary 165
- For a Public Art of the Nation
- Guangzhou as Epicenter
- Farewell, Shanghai
- Conclusion: The Origins of Roar, China!
- On Vision and Voice in Modern Chinese Art 213.
- Notes:
- "Ahmanson-Murphy fine arts imprint"--Prelim. p.
- Includes bibliographical references (pages 275-284) and index.
- ISBN:
- 9780520249097
- 0520249097
- OCLC:
- 141187997
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