My Account Log in

2 options

Origins of the Chinese avant-garde : the modern woodcut movement / Xiaobing Tang.

Online

Available online

View online
LIBRA NE1183.3 .T36 2008
Loading location information...

Available from offsite location This item is stored in our repository but can be checked out.

Log in to request item
Format:
Book
Author/Creator:
Tang, Xiaobing, 1964-
Language:
English
Subjects (All):
Wood-engraving, Chinese--20th century.
Wood-engraving, Chinese.
Avant-garde (Aesthetics)--China--History--20th century.
Avant-garde (Aesthetics).
History.
China.
Physical Description:
xi, 300 pages, 10 unnumbered pages of plates : illustrations (some color) ; 27 cm
Place of Publication:
Berkeley : University of California Press, [2008]
Summary:
In "Origins of the Chinese Avant-Garde, "Xiaobing Tang studies the art and art theories of the first half of the twentieth century, when modern Chinese art and literature emerged. He argues that the most consequential expression of the avant-garde was the modern woodcut movement that thrived in China in the 1930s. In this innovative study--also the first comprehensive account of this Chinese movement available in English--Tang examines the aesthetic, intellectual, and social appeal of the modern woodcut and places the movement at the intersection of historical events, individual efforts, and competing discourses on art. He also shows how the woodcut movement drew upon international inspiration--from German Expressionism, Soviet wood engravings, and Japanese creative prints.
Contents:
1 The Beautiful Object of Art 9
For an Aesthetic Education
Echoes of a New Calling
In Pursuit of an Art Movement
2 Art Theory as Passionate Discourse on Subjectivity 43
The Expressionist Imperative
In the Whirlpool of Revolution
To Represent an Epoch
3 The New Art Movement and Its Field of Vision 75
An Aesthetic of Vigor
Art and Its Discontent
Seeing in Black and White
4 The Making of the Avant-Garde 113
From the Ashes of the First Shanghai War
1933: Hangzhou and Beiping
A Visual Esperanto
5 The Avant-Garde and the National Imaginary 165
For a Public Art of the Nation
Guangzhou as Epicenter
Farewell, Shanghai
Conclusion: The Origins of Roar, China!
On Vision and Voice in Modern Chinese Art 213.
Notes:
"Ahmanson-Murphy fine arts imprint"--Prelim. p.
Includes bibliographical references (pages 275-284) and index.
ISBN:
9780520249097
0520249097
OCLC:
141187997

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account