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Media discourse : representation and interaction / Mary Talbot.

LIBRA P302 .T28 2007
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Format:
Book
Author/Creator:
Talbot, Mary.
Language:
English
Subjects (All):
Discourse analysis.
Mass media and language.
Physical Description:
vi, 198 pages ; 23 cm
Place of Publication:
Edinburgh : Edinburgh University Press, [2007]
Summary:
This lively and accessible study of media and discourse combines theoretical reflection with empirical engagement, and brings together insights from a range of disciplines. Within media and cultural studies, the study of media texts is dominated by an exclusive focus on representation. This book adds long overdue attention to social interaction.
The book is divided into two sections. The first outlines key theoretical issues and concepts, including informalisation, genre hybridisation, positioning, dialogism and discourse. The second is a sustained interrogation of social interaction in and around media. Re-examining issues of representation and interaction, it critically assesses work on the para-social and broadcast sociability, then explores distinct sites of interaction: production communities, audience communities and 'interactivity' with audiences.
Key Features: The book is rich with fascinating examples involving British and US media, including radio, television, magazines and newspapers and their Internet spin-offs. It brings together insights from conversation analysis, critical discourse analysis, cultural studies and media anthropology. It is key reading for advanced undergraduates and postgraduates doing media studies, communication and cultural studies and journalism studies.
Contents:
Part 1 Key issues in analysing media discourse
1 Introduction: media and discourse 3
What is media discourse and why study it? 3
Media and the circuit of culture 5
Texts, discourse and discourses 9
Discourse as social practice in critical discourse analysis 12
2 Reconfigurations 18
Time and place 18
Public and private 22
Informalisation and infotainment 25
Hybridisation 29
Parody and pastiche 33
Comedy central: Harlan McCraney 35
3 Texts and positioning 43
Circuit of culture and reading positions 44
Text and positioning in critical discourse analysis 46
'Guilt over games boys play': heteronormativity in a problem page 49
Men's magazines: a phallacious fraternity? 51
Texts and audiences 57
4 Dialogism and voice 63
Intertextuality and the dialogic word 64
Footing and 'neutrality' in broadcast journalism 66
Randy fish boss branded a stinker: feminism on the Sun's page three? 71
Positioning, authority and erasure 74
Part 2 Representation and interaction
5 Simulated interaction 83
Three types of interaction 83
'Para-social interaction' 85
Sociability 86
Synthetic personality and synthetic personalisation 92
Simulated interaction on Radio 1xtra 96
6 Interpersonal meaning in broadcast texts: representing social identities and relationships 99
Travel broadens the mind? 99
Expertise, authority and 'taste' in lifestyle TV 106
'Transforming these school dinners is gonna be tough': Jamie's dinner ladies 109
Jeremy Paxman: "Britain's number one interrogator' 121
7 Production communities and audience communities 129
Frontstage in production-community interaction 130
Backstage glimpses 138
'Zoo' media 142
Television talk and talking with the television 144
8 Interactivity 154
Backstage engagements 154
Frontstage: fifteen minutes of fame 157
Asymmetries 163
New technology 169.
Notes:
Includes bibliographical references (pages [182]-192) and index.
ISBN:
9780748623471
0748623477
0748623485
9780748623488
0748630074
9780748630073
OCLC:
154711288

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