1 option
The complete screenwriter's manual : a comprehensive reference of format and style / Stephen E. Bowles, Ronald Mangravite, Peter A. Zorn.
Van Pelt Library PN1996.B68 C66 2006
By Request
- Format:
- Book
- Author/Creator:
- Bowles, Stephen E., 1943-
- Language:
- English
- Subjects (All):
- Motion picture authorship--Handbooks, manuals, etc.
- Motion picture authorship.
- Genre:
- Handbooks and manuals.
- Physical Description:
- xvi, 220 pages ; 28 cm
- Other Title:
- Screenwriter's manual : a comprehensive reference of format and style
- Place of Publication:
- Boston : A & B Pearson, [2006]
- Summary:
- The world of screenwriting is extremely competitive. Only the best and most savvy will succeed. To get to the top, you need the ultimate guide. The Complete Screenwriter's Manual is packed with only the most essential information, giving you the confidence and skills to succeed. Using insider information on what works and what doesn't, this book explores a wide range of format and style situations to help you transform your story from imagination to the page.
- This step-by-step guide includes: Numerous templates and examples throughout, All format and style issues-from the basics to advanced topics like slug lines and enhancing the narrative, Handling special situations like unusual effects, time-shifts, flashbacks, and dreams, The latest information on industry practices, How to create professional-looking scripts, backed up with abundant examples. The Complete Screenwriter's Manual will put you on the road to a great and successful screenplay.
- Contents:
- Part 1 Basic Format and Style 1
- Guides to the Appearance of the Screenplay 2
- Sample Screenplay Pages 2
- The Format Box 23
- The Header 23
- Margin Settings 23
- The Elements of a Screenplay 24
- How Screenplays Begin and End 24
- 1 Scene Lines 25
- General Rules 25
- The Staging 25
- The Location 25
- The Time 29
- Adding Specifics to the Scene Line 30
- General Rules 31
- Introducing Characters 34
- Identifying Character Names to the Audience 38
- Limitations and Liberties on Introducing Characters 39
- Words That Get Capped 40
- Using a Note 44
- Refining the Writing of Instructions 45
- 3 The Dialogue-Block 49
- General Rules 50
- Character-Names 50
- Dialogue 51
- Parentheticals 60
- 4 Transitions 64
- General Rules 64
- Scenes, Sequences, and Transitions 66
- Page Breaks 70
- Unacceptable Page Breaks 71
- Scene Numbers 72
- The Title Page 72
- Final Touches 75
- Protection of Screenplays 75
- Part 2 Advanced Format and Style 77
- Enhancing the Narrative 78
- All About Slug Lines 79
- The Master Shot 79
- Slug Lines 79
- Three Types of Slug Lines 82
- What Utility Slug Lines Do 82
- What Visual Slug Lines Do 82
- What Non-Visual Slug Lines Do 83
- Utility Slug Lines 84
- Return to Scene 84
- Establishing 85
- Intercut as Needed 86
- Superimposed Words 88
- Visual Slug Lines 89
- Isolating Characters and Objects 89
- Point of View (P.O.V.) 91
- Cutaway 97
- Series of Shots 100
- Inserts 104
- Subdividing a Scene into Two or More Activities 106
- Subdividing a Multi-Room Structure into Specific Rooms 108
- Non-Visual Slug Lines 110
- Identifying a Critical Sound 110
- Emphasizing Something Dramatic 112
- Indicating a Lapse of Time 113
- Part 3 Special Format Situations 115
- Parallel Action 116
- Telephone Conversations 120
- 1 Situation Only One Side of the Conversation Is Seen and Heard 120
- 2 Situation Only One Side of the Conversation Is Seen but Both Sides Are Heard 121
- 3 Situation Both Sides of the Conversation Are Seen and Heard 123
- Car Scenes 128
- 1 Situation Both the Car and Location Are Important 130
- 2 Situation Two or More Cars Are Engaged in a Chase 132
- 3 Situation Activity Occurs Both Inside and Outside a Car 134
- 4 Situation A Car Passes by a Fixed Position 136
- Televised and Projected Images 136
- 1 Situation Televised Images 137
- 2 Situation Projected Images 139
- Time-Shifts and Flashbacks 141
- 1 Situation Time-Shifts 141
- 2 Situation Flashbacks 143
- Unusual Scene Beginnings 148
- 1 Situation A Scene That Begins with Sound before the Image Appears 148
- 2 Situation A Scene That Begins with Text before the Image Appears 149
- 3 Situation A Scene That Begins with a Visual Slug Line before the Master Shot 149
- Unusual Effects 150
- 1 Situation Special Effects 151
- 2 Situation Strange Creatures 152
- 3 Situation Strange Environments 153
- Unusual Character Introductions 153
- 1 Situation An Environment Is Described before the Character Is Introduced 154
- 2 Situation A Character Enters the Story before Being Named 154
- 3 Situation An Imaginary Character Appears 156
- 4 Situation A Character Is Introduced by a Still Image 157
- 5 Situation A Character Is Introduced by a Voice 159
- A Character's Appearance or Demeanor Changes 160
- 1 Situation A Character Appears at Different Ages 160
- 2 Situation The Audience Is Aware the Character Is Disguised 163
- 3 Situation The Audience Is Unaware the Character Is Disguised 163
- 4 Situation A Character Has Multiple Identities or Personalities 165
- Dreams and Fantasies 166
- 1 Situation A Dream or Fantasy That Is Clearly Identified 167
- 2 Situation A Dream or Fantasy That Is Disguised as Reality 168
- Written Material On-Screen 168
- 1 Situation The Content of a Letter Is Read Aloud 169
- 2 Situation The Content of a Letter Is Heard Through the Mind of the Reader 170
- 3 Situation The Content of a Letter Is Displayed On-Screen 170
- An Emblem or a Sign 171
- Stock Footage 171
- Foreign Languages (With or Without Sub-Titles) 172
- Title Cards 173
- Part 4 Common Format Mistakes 175
- General Mistakes 176
- Using Incorrect Line Spacing 176
- Using an Incorrect Typeface 177
- Confusing Real Time and Screen Time 178
- Scene Line / Slug Line Mistakes 180
- Writing Inaccurate Scene Lines 180
- Confusing Scene Lines with Slug Lines 182
- Confusing Locations 184
- Improper Intercutting of Visuals 185
- Confusing Slug Lines 188
- Creating Unclear Cutaways 189
- Using the Incorrect Format for a Series of Shots 191
- Instruction Mistakes 192
- Writing Instructions in the Past Tense 192
- Using Illogical Wording 194
- Using Illogical Actions 194
- Capping Words Excessively 196
- Providing Unknowable Information 197
- Providing a Premature Description 198
- Over-Describing a Basic Activity 201
- Neglecting an Important Description 202
- Introducing Too Many Characters Too Quickly 204
- Introducing a Character Incorrectly 205
- Not Clarifying Who Is in a Scene 207
- Neglecting Character Exits 209
- Dialogue-Block Mistakes 210
- Improperly Formatting a Song or Poem 210
- Creating Unwieldy Parentheticals 212
- Summarizing Dialogue 213
- Splitting Words with Hyphens 215.
- Notes:
- Includes index.
- ISBN:
- 0321397932
- 9780321397935
- OCLC:
- 70217118
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.