My Account Log in

1 option

The complete screenwriter's manual : a comprehensive reference of format and style / Stephen E. Bowles, Ronald Mangravite, Peter A. Zorn.

Van Pelt Library PN1996.B68 C66 2006
Loading location information...

By Request Item cannot be checked out at the library but can be requested.

Log in to request item
Format:
Book
Author/Creator:
Bowles, Stephen E., 1943-
Contributor:
Mangravite, Ronald.
Zorn, Peter A.
Language:
English
Subjects (All):
Motion picture authorship--Handbooks, manuals, etc.
Motion picture authorship.
Genre:
Handbooks and manuals.
Physical Description:
xvi, 220 pages ; 28 cm
Other Title:
Screenwriter's manual : a comprehensive reference of format and style
Place of Publication:
Boston : A & B Pearson, [2006]
Summary:
The world of screenwriting is extremely competitive. Only the best and most savvy will succeed. To get to the top, you need the ultimate guide. The Complete Screenwriter's Manual is packed with only the most essential information, giving you the confidence and skills to succeed. Using insider information on what works and what doesn't, this book explores a wide range of format and style situations to help you transform your story from imagination to the page.
This step-by-step guide includes: Numerous templates and examples throughout, All format and style issues-from the basics to advanced topics like slug lines and enhancing the narrative, Handling special situations like unusual effects, time-shifts, flashbacks, and dreams, The latest information on industry practices, How to create professional-looking scripts, backed up with abundant examples. The Complete Screenwriter's Manual will put you on the road to a great and successful screenplay.
Contents:
Part 1 Basic Format and Style 1
Guides to the Appearance of the Screenplay 2
Sample Screenplay Pages 2
The Format Box 23
The Header 23
Margin Settings 23
The Elements of a Screenplay 24
How Screenplays Begin and End 24
1 Scene Lines 25
General Rules 25
The Staging 25
The Location 25
The Time 29
Adding Specifics to the Scene Line 30
General Rules 31
Introducing Characters 34
Identifying Character Names to the Audience 38
Limitations and Liberties on Introducing Characters 39
Words That Get Capped 40
Using a Note 44
Refining the Writing of Instructions 45
3 The Dialogue-Block 49
General Rules 50
Character-Names 50
Dialogue 51
Parentheticals 60
4 Transitions 64
General Rules 64
Scenes, Sequences, and Transitions 66
Page Breaks 70
Unacceptable Page Breaks 71
Scene Numbers 72
The Title Page 72
Final Touches 75
Protection of Screenplays 75
Part 2 Advanced Format and Style 77
Enhancing the Narrative 78
All About Slug Lines 79
The Master Shot 79
Slug Lines 79
Three Types of Slug Lines 82
What Utility Slug Lines Do 82
What Visual Slug Lines Do 82
What Non-Visual Slug Lines Do 83
Utility Slug Lines 84
Return to Scene 84
Establishing 85
Intercut as Needed 86
Superimposed Words 88
Visual Slug Lines 89
Isolating Characters and Objects 89
Point of View (P.O.V.) 91
Cutaway 97
Series of Shots 100
Inserts 104
Subdividing a Scene into Two or More Activities 106
Subdividing a Multi-Room Structure into Specific Rooms 108
Non-Visual Slug Lines 110
Identifying a Critical Sound 110
Emphasizing Something Dramatic 112
Indicating a Lapse of Time 113
Part 3 Special Format Situations 115
Parallel Action 116
Telephone Conversations 120
1 Situation Only One Side of the Conversation Is Seen and Heard 120
2 Situation Only One Side of the Conversation Is Seen but Both Sides Are Heard 121
3 Situation Both Sides of the Conversation Are Seen and Heard 123
Car Scenes 128
1 Situation Both the Car and Location Are Important 130
2 Situation Two or More Cars Are Engaged in a Chase 132
3 Situation Activity Occurs Both Inside and Outside a Car 134
4 Situation A Car Passes by a Fixed Position 136
Televised and Projected Images 136
1 Situation Televised Images 137
2 Situation Projected Images 139
Time-Shifts and Flashbacks 141
1 Situation Time-Shifts 141
2 Situation Flashbacks 143
Unusual Scene Beginnings 148
1 Situation A Scene That Begins with Sound before the Image Appears 148
2 Situation A Scene That Begins with Text before the Image Appears 149
3 Situation A Scene That Begins with a Visual Slug Line before the Master Shot 149
Unusual Effects 150
1 Situation Special Effects 151
2 Situation Strange Creatures 152
3 Situation Strange Environments 153
Unusual Character Introductions 153
1 Situation An Environment Is Described before the Character Is Introduced 154
2 Situation A Character Enters the Story before Being Named 154
3 Situation An Imaginary Character Appears 156
4 Situation A Character Is Introduced by a Still Image 157
5 Situation A Character Is Introduced by a Voice 159
A Character's Appearance or Demeanor Changes 160
1 Situation A Character Appears at Different Ages 160
2 Situation The Audience Is Aware the Character Is Disguised 163
3 Situation The Audience Is Unaware the Character Is Disguised 163
4 Situation A Character Has Multiple Identities or Personalities 165
Dreams and Fantasies 166
1 Situation A Dream or Fantasy That Is Clearly Identified 167
2 Situation A Dream or Fantasy That Is Disguised as Reality 168
Written Material On-Screen 168
1 Situation The Content of a Letter Is Read Aloud 169
2 Situation The Content of a Letter Is Heard Through the Mind of the Reader 170
3 Situation The Content of a Letter Is Displayed On-Screen 170
An Emblem or a Sign 171
Stock Footage 171
Foreign Languages (With or Without Sub-Titles) 172
Title Cards 173
Part 4 Common Format Mistakes 175
General Mistakes 176
Using Incorrect Line Spacing 176
Using an Incorrect Typeface 177
Confusing Real Time and Screen Time 178
Scene Line / Slug Line Mistakes 180
Writing Inaccurate Scene Lines 180
Confusing Scene Lines with Slug Lines 182
Confusing Locations 184
Improper Intercutting of Visuals 185
Confusing Slug Lines 188
Creating Unclear Cutaways 189
Using the Incorrect Format for a Series of Shots 191
Instruction Mistakes 192
Writing Instructions in the Past Tense 192
Using Illogical Wording 194
Using Illogical Actions 194
Capping Words Excessively 196
Providing Unknowable Information 197
Providing a Premature Description 198
Over-Describing a Basic Activity 201
Neglecting an Important Description 202
Introducing Too Many Characters Too Quickly 204
Introducing a Character Incorrectly 205
Not Clarifying Who Is in a Scene 207
Neglecting Character Exits 209
Dialogue-Block Mistakes 210
Improperly Formatting a Song or Poem 210
Creating Unwieldy Parentheticals 212
Summarizing Dialogue 213
Splitting Words with Hyphens 215.
Notes:
Includes index.
ISBN:
0321397932
9780321397935
OCLC:
70217118

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account