The painted image and the fabrication of colonial Andean history : Jesuit and Andean visions in conflict in Matrimonio de García de Loyola con Ñusta Beatriz / by Marie Timberlake.

Format:

Book

Manuscript

Thesis/Dissertation

Author/Creator:

Timberlake, Marie.

Contributor:

George Clapp Vaillant Book Fund.

Language:

English

Subjects (All):

Jesuits.

Painting, Colonial--Peru--Andes Region--Themes, motives.

Painting, Colonial.

Marriage in art.

Christian art and symbolism--Peru--Andes Region--Modern period, 1500---Themes, motives.

Christian art and symbolism.

History.

Indians of South America.

Kings and rulers.

Inca art.

Themes, motives.

Peru.

Andes Region.

Inca art--Themes, motives.

Indians of South America--Peru--Andes Region--History--17th century.

Indians of South America--Andes Region--Kings and rulers.

Jesuits--Peru--Andes Region--History--17th century.

Physical Description:

2 volumes (xxiii, 592 leaves) : illustrations (some color), plans ; 28 cm

Production:

2001.

Summary:

Discussion of the painting Matrimonio de García de Loyola con Ñusta Beatriz in the larger context of Spanish colonial painting and Andean scholarship. Located inside La Transfiguración (today La Compañia), the seventeenth-century Jesuit church in Cuzco, Peru, the painting formed a part of the church's painted visual narrative of the Jesuit Order and the cycle of the Vida de San Ignacio (Life of Saint Ignatius).

Notes:

Thesis (Ph. D.)--University of California, Los Angeles, 2001.

Vita.

Includes bibliographical references (leaves 567-592).

Some illustration pages contain captions but no images; copyrighted materials not reproduced.

Photocopy. Ann Arbor, Mich. : UMI Dissertation Services, 2007. 2 v. in 1 : ill., plans ; 22 cm..

Local Notes:

Acquired for the Penn Libraries with assistance from the George Clapp Vaillant Book Fund.

OCLC:

51279343