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Music and youth culture / Dan Laughey.

LIBRA ML3795 .L26 2006
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Format:
Book
Author/Creator:
Laughey, Dan.
Language:
English
Subjects (All):
Music and youth--Great Britain.
Music and youth.
Youth--Great Britain--Social life and customs.
Youth.
Manners and customs.
Great Britain.
Physical Description:
xi, 248 pages : illustrations, portraits ; 25 cm
Other Title:
Music & youth culture
Place of Publication:
Edinburgh : Edinburgh University Press, [2006]
Summary:
Music and Youth Culture offers a groundbreaking account of how music interacts with young people's everyday lives. Drawing on interviews with and observations of youth groups together with archival research, it explores young people's enactment of music tastes and performances, and how these are articulated through narratives and literacies.
An extensive review of the field reveals an unhealthy emphasis on committed, fanatical, spectacular youth music cultures such as rock or punk. On the contrary, this book argues that ideas about youth subcultures and club cultures no longer apply to today's young generation. Rather, archival findings show that the music and dance cultures of youth in 1930s and 1940s Britain share more in common with youth today than the countercultures and subcultures of the 1960s and 1970s.
By focusing on the relationship between music and social interactions, the book addresses questions that are scarcely considered by studies stuck in the youth cultural worlds of subcultures, club cultures and post-subcultures. What are the main influences on young people's music tastes? How do young people use music to express identities and emotions? To what extent can today's youth and their music seem radical and progressive? And how is the 'special relationship' between music and youth culture played out in everyday leisure, education and workplaces?
Contents:
Youth as a concept 5
Situating music in youth culture 7
2 Subculture, club cultures and post-subcultures: music/social interactions? 14
Culture to subculture 15
Youth subcultures 21
Rock, pop and fan cultures 28
Club and taste cultures 37
Subcultural capital and omnivorous narratives 39
Neo-tribalism 43
Post-subcultures 45
3 Early youth cultures of music and dance 55
Mass-Observation and the Worktown Project 58
Theorising everyday life: a counter-tradition 60
Promenade performances 65
Music and dancing in Britain, 1936-1949 68
Co-present promenade performances 69
Mediated promenade performances 76
Localisation and intergenerational youth 80
4 Towards everyday consumption and production: approaching music audiences and performances 87
Everyday consumer and producer practices 89
Diffused audiences and performances 95
Localities 98
Scenes 100
Self-identities 102
Self-presentations 106
5 Music media uses and influences 115
Uses 116
Intensive media use 117
Casual media consumption 122
Relating to stars and genres 126
Influences 132
Family influence 132
Peer group exchange 136
The 'publicisation' of media consumption contexts 139
School and college 139
Work 143
Other public contexts 144
Productive consumer literacies 145
Everyday life narratives 149
6 Public music practices 157
Consumption and production 158
Exclusiveness 159
Inclusiveness 162
Eclecticism 166
Accessibility and involvement 170
Presentation and identification 179
Impression management 180
Impression judgement 181
Age play 184
Media influences 185
Space and place 190
Promenade performances 193
7 Everyday youth music cultures and media 203
A situational interactionist model 203
Intergenerational narratives 209
Localised performances 213
8 Overall conclusions 217
Appendix Interview Schedules and Transcript Notation Conventions 222.
Notes:
Includes bibliographical references and index.
ISBN:
0748623809
0748623817
OCLC:
62177699

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