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Music and youth culture / Dan Laughey.
LIBRA ML3795 .L26 2006
Available from offsite location
- Format:
- Book
- Author/Creator:
- Laughey, Dan.
- Language:
- English
- Subjects (All):
- Music and youth--Great Britain.
- Music and youth.
- Youth--Great Britain--Social life and customs.
- Youth.
- Manners and customs.
- Great Britain.
- Physical Description:
- xi, 248 pages : illustrations, portraits ; 25 cm
- Other Title:
- Music & youth culture
- Place of Publication:
- Edinburgh : Edinburgh University Press, [2006]
- Summary:
- Music and Youth Culture offers a groundbreaking account of how music interacts with young people's everyday lives. Drawing on interviews with and observations of youth groups together with archival research, it explores young people's enactment of music tastes and performances, and how these are articulated through narratives and literacies.
- An extensive review of the field reveals an unhealthy emphasis on committed, fanatical, spectacular youth music cultures such as rock or punk. On the contrary, this book argues that ideas about youth subcultures and club cultures no longer apply to today's young generation. Rather, archival findings show that the music and dance cultures of youth in 1930s and 1940s Britain share more in common with youth today than the countercultures and subcultures of the 1960s and 1970s.
- By focusing on the relationship between music and social interactions, the book addresses questions that are scarcely considered by studies stuck in the youth cultural worlds of subcultures, club cultures and post-subcultures. What are the main influences on young people's music tastes? How do young people use music to express identities and emotions? To what extent can today's youth and their music seem radical and progressive? And how is the 'special relationship' between music and youth culture played out in everyday leisure, education and workplaces?
- Contents:
- Youth as a concept 5
- Situating music in youth culture 7
- 2 Subculture, club cultures and post-subcultures: music/social interactions? 14
- Culture to subculture 15
- Youth subcultures 21
- Rock, pop and fan cultures 28
- Club and taste cultures 37
- Subcultural capital and omnivorous narratives 39
- Neo-tribalism 43
- Post-subcultures 45
- 3 Early youth cultures of music and dance 55
- Mass-Observation and the Worktown Project 58
- Theorising everyday life: a counter-tradition 60
- Promenade performances 65
- Music and dancing in Britain, 1936-1949 68
- Co-present promenade performances 69
- Mediated promenade performances 76
- Localisation and intergenerational youth 80
- 4 Towards everyday consumption and production: approaching music audiences and performances 87
- Everyday consumer and producer practices 89
- Diffused audiences and performances 95
- Localities 98
- Scenes 100
- Self-identities 102
- Self-presentations 106
- 5 Music media uses and influences 115
- Uses 116
- Intensive media use 117
- Casual media consumption 122
- Relating to stars and genres 126
- Influences 132
- Family influence 132
- Peer group exchange 136
- The 'publicisation' of media consumption contexts 139
- School and college 139
- Work 143
- Other public contexts 144
- Productive consumer literacies 145
- Everyday life narratives 149
- 6 Public music practices 157
- Consumption and production 158
- Exclusiveness 159
- Inclusiveness 162
- Eclecticism 166
- Accessibility and involvement 170
- Presentation and identification 179
- Impression management 180
- Impression judgement 181
- Age play 184
- Media influences 185
- Space and place 190
- Promenade performances 193
- 7 Everyday youth music cultures and media 203
- A situational interactionist model 203
- Intergenerational narratives 209
- Localised performances 213
- 8 Overall conclusions 217
- Appendix Interview Schedules and Transcript Notation Conventions 222.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 0748623809
- 0748623817
- OCLC:
- 62177699
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