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A short guide to writing about music / Jonathan D. Bellman.

Van Pelt - Albrecht Music Library ML3797 .B4 2007
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Format:
Book
Author/Creator:
Bellman, Jonathan, 1957-
Series:
Short guide series
The short guide series
Language:
English
Subjects (All):
Music--Historiography--Handbooks, manuals, etc.
Music.
Musical criticism--Authorship--Handbooks, manuals, etc.
Musical criticism.
Musical criticism--Authorship.
Music--Historiography.
Genre:
Handbooks and manuals.
Physical Description:
xiv, 193 pages : music ; 21 cm.
Edition:
Second edition.
Place of Publication:
New York : Pearson Longman, [2007]
Summary:
A Short Guide to Writing about Music correlates the skills acquired in music composition, playing, and studying to the skills needed for successful writing-commitment, practice, revision, balance, and control. This writing guide offers clear instruction and a wide range of writing tasks-from reaction papers and concert reviews, to program notes and abstracts, to persuasive essays and research papers. Many student and professional writing samples are included to illustrate these assignments, with accompanying commentary and suggestions for students.
Contents:
1 Writing About Music 1
Words About Music: Why? 1
Choosing an Audience 3
Kinds of Writing 4
History and Biography 4
Style Study 5
Analysis 7
Performance Study 8
Organological, Archival, and Source Studies 8
Criticism 9
Marxist Criticism 10
Soviet Pseudo-Marxist Criticism 11
Cultural Criticism 12
Gender Studies in Music 13
Postcolonial Criticism 15
The Author's Opinion: Clarity and Restraint 17
2 Writing About Music by, and for, Those Who Cannot (Necessarily) Read it 21
What You Can and Cannot Do 24
The Concert Review 25
Reporting on a News Event 25
Artistic Evaluation 26
Promoting Community Interest in Music 29
Popular and World Musics 29
Crossing the Cultural Divide 35
3 Writing Music Analysis 40
Analysis and Its Uses 40
Analytical Content vs. Play-by-Play 43
Analysis Without Musical Examples 45
Technical Terminology 46
Two Analytical Excerpts with Commentary 47
Organizing Analytical Writing 51
4 Three Kinds of Practical Writing 56
Program and Liner Notes 57
Biographical Background 59
Cultural Context 59
Style and Affect 59
The Summary 65
The Abstract 66
The Press Release 68
5 Belief Into Words: Opinion and the Writing of an Effective Essay 72
Presentation and Tone 73
Organization 73
Confrontational Writing 73
Stylistic Excess 76
The Writing Process: From Outline to Final Draft 77
"Benefits of the Suzuki Method" / Jessica Mosier 77
"Skryabin's Mystical Beliefs and the Holographic Model" / Jeff Simpson 83
Hints on Beginning 90
6 Research in Music 92
The Purposes of Research 92
Choice of Topic 93
Locating Sources 94
Kinds of Written Sources 95
Non-English Sources 95
Journal and Magazine Articles 98
Other Web-Based Sources 99
Recording Liner Notes 100
Musical Scores 101
Use of Sources 102
Optimizing Research Time 102
Don't Believe Everything You Read! 103
Scholarly vs. Textbook Sources 103
Relative Age of Sources 104
Authorial Perspective 105
Dependability of the Source Itself 106
Special Difficulties in Using Musical Sources 106
Citing Your Sources 109
To Quote or to Paraphrase? 110
Turning Research Into Writing 110
The Foundations of Your Research 110
On Being Derivative 111
Whose Ideas? 112
Choice of Sources 112
The Opening Paragraph 112
7 A Sample Research Paper in Music 116
"Gershwin's French Connection" / Amie Margoles 116
Commentary on the Margoles Paper 133
8 Style in Writing 135
The Meaning of "Style" 135
Academic Style Traits 139
Complex Sentence Structure 139
Obscure Words 139
First Person Plural 140
Passive Voice 141
Traditional Academic Organization 143
Fashioning Clear Sentences 145
Taste 147
Gender-Neutral Wording and the Pronoun Problem 148
Transitions 149
Variety 151
Punctuation 152
Colon, Semicolon, and Comma 153
A Note on Hyphens and Centuries 154
Specifically Musical Uses of Punctuation 155
Accuracy in Wording 155
Ill-Advised Upgrades 156
Beat, Meter, Rhythm 157
That and Which 158
Accuracy in Spelling and Punctuation 158
Aggregate Titles 158
Awkward Wording 159
Toward a Personal Style 159
9 The Final Manuscript 161
General Format 161
Binding, Paper, Duplication 161
Word Processing 161
Copies 162
Title Page 163
Spacing and Margins 163
Block Quotations 163
Latin Abbreviations and Terminology 164
Musical Abbreviations 165
Titles of Musical Works 165
Musical Examples and Captions 166
Production of Examples 167
Captions 168
The Citation Process 169
Footnotes or Endnotes? 170
Parenthetical Citation Format 171
Incomplete Citations 172
Abbreviated Citation Form 173
Sample Citations 173
Explanatory Footnotes 186
Musical Scores 186
Last-Minute Corrections 187.
Notes:
Includes bibliographical references and index.
ISBN:
0321187911
OCLC:
62732865

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