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Overheard voices : address and subjectivity in postmodern American poetry / Ann Keniston.
Van Pelt Library PS310.P63 K46 2006
Available
- Format:
- Book
- Author/Creator:
- Keniston, Ann, 1961-
- Series:
- Literary criticism and cultural theory
- Language:
- English
- Subjects (All):
- American poetry--20th century--History and criticism.
- American poetry.
- Postmodernism (Literature)--United States.
- Postmodernism (Literature).
- United States.
- Subjectivity in literature.
- Plath, Sylvia. Ariel.
- Plath, Sylvia.
- Merrill, James, 1926-1995. Changing light at Sandover.
- Merrill, James.
- Glück, Louise, 1943- Wild iris.
- Glück, Louise.
- Bidart, Frank, 1939- Desire.
- Bidart, Frank.
- Physical Description:
- xi, 171 pages ; 24 cm.
- Place of Publication:
- New York : Routledge, 2006.
- Summary:
- "Overheard Voices" examines poetic address and in particular apostrophe (the address of absent or inanimate others) in the work of four post-World War II American poets, with a focus on loss, desire, figuration, audience, and subjectivity. By approaching these crucial issues from an unexpected angle--through a study of the seldom-examined lyric "you"--"Overheard Voices" offers new insight into both contemporary lyric and the lyric genre more generally. The book offers detailed readings of Sylvia Plath, James Merrill, Louise Glü ck, and Frank Bidart.
- Contents:
- Introduction: "The fluidity of damaged form" : theorizing postmodern address
- Recovering you : Sylvia Plath's Ariel
- Ghostly projections : James Merrill's The changing light at Sandover
- Buried with the romantics : Louise Gluck's The wild iris
- Homo faber : Frank Bidart's Desire
- Conclusion: "A dream of this room" : self-effacement and lyric space.
- Notes:
- Includes bibliographical references (pages 157-164) and index.
- ISBN:
- 0415976278
- OCLC:
- 62281511
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