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A short guide to writing about literature / Sylvan Barnet, William E. Cain.
LIBRA PE1479.C7 B3 2006
Available from offsite location
- Format:
- Book
- Author/Creator:
- Barnet, Sylvan.
- Series:
- Short guide series
- The short guide series
- Language:
- English
- Subjects (All):
- English language--Rhetoric--Handbooks, manuals, etc.
- English language.
- Literature--History and criticism--Theory, etc--Handbooks, manuals, etc.
- Literature.
- Criticism--Authorship--Handbooks, manuals, etc.
- Criticism.
- Exposition (Rhetoric)--Handbooks, manuals, etc.
- Exposition (Rhetoric).
- Report writing--Handbooks, manuals, etc.
- Report writing.
- Criticism--Authorship.
- Genre:
- Handbooks and manuals.
- Physical Description:
- xx, 380 pages : illustrations ; 21 cm.
- Edition:
- Tenth edition.
- Place of Publication:
- New York : Pearson/Longman, [2006]
- Summary:
- The tenth edition of A Short Guide to Writing about Literature continues to offer students sound advice on how to become critical thinkers and enrich their reading response through accessible, step-by-step instruction. This highly respected text is ideal as a supplement to any course where writing about literature or literary studies is emphasized. New to the Tenth Edition: A prefatory "Letter to Students" introduces students to the importance of writing about literature. New Chapter 1: What Is Literature, and Why Write About It? Chapter 2 features new material on critical thinking. Epigraphs have been added to the beginning of each chapter to engage the attention of students and instructors. Seventeen "Rules for Writers" have been addded to various chapters. Tips and practical suggestions are highlighted throughout the text. Four checklists have been added: basic matters, revising for clarity, revising for conciseness, and reviewing a revised draft. Two poems, one by Emily Dickinson and one by Edna St. Vincent Millay, and a fable by Aesop have been added.
- Contents:
- Letter to Students xix
- Part 1 Jumping In
- 1 What Is Literature, and Why Write About It? 3
- / Aesop "The Vixen and the Lioness" 4
- / Emily Dickinson "I'm Nobody! Who are you?" 5
- Why We Write about Literature 6
- The Writing Process 8
- A Checklist of Basic Matters 11
- 2 The Writer As Reader: Reading and Responding 12
- / Kate Chopin "Ripe Figs" 12
- The Act of Reading 13
- Reading with a Pen in Hand 15
- Recording Your First Responses 16
- Audience and Purpose 17
- A Writing Assignment on "Ripe Figs" 18
- The Assignment 18
- A Sample Essay: "Images of Ripening in Kate Chopin's 'Ripe Figs'" 18
- The Student's Analysis Analyzed 20
- Critical Thinking and the Study of Literature 21
- 3 The Reader as Writer: Drafting and Writing 23
- Pre-writing: Getting Ideas 23
- Annotating a Text 23
- More about Getting Ideas: A Second Story by Kate Chopin, "The Story of an Hour" 24
- Kate Chopin: "The Story of an Hour" 24
- Brainstorming for Ideas for Writing 26
- Focused Free Writing 27
- Asking Questions 30
- Keeping a Journal 31
- Critical Thinking: Arguing with Yourself 32
- Arriving at a Thesis and Arguing It 34
- Writing a Draft 36
- A Sample Draft: "Ironies in an Hour" 36
- Revising a Draft 38
- A Checklist for Revising for Clarity 39
- Two Ways of Outlining a Draft 40
- A Checklist for Reviewing a Revised Draft 41
- Peer Review 42
- The Final Version 44
- Sample Essay: "Ironies of Life in Kate Chopin's 'The Story of an Hour'" 44
- A Brief Overview of the Final Version 46
- From First Responses to Final Version: Writing an Essay about a Literary Work 47
- 4 Two Forms of Criticism: Explication and Analysis 48
- Explication 48
- A Sample Explication: Langston Hughes's "Harlem" 48
- Working toward an Explication of "Harlem" 50
- Some Journal Entries 51
- The Final Draft: "Langston Hughes's 'Harlem'" 53
- A Brief Overview of the Essay 54
- Topics for Discussion 55
- A Checklist: Drafting an Explication 56
- Analysis: The Judgment of Solomon 56
- Thinking about Form 58
- Thinking about Character 59
- Thoughts about Other Possibilities 59
- Comparison: An Analytic Tool 60
- A Checklist: Revising a Comparison 63
- Finding a Topic 64
- Considering the Evidence 65
- Organizing the Material 65
- Communicating Judgments 66
- Review: How to Write an Effective Essay 67
- 1 Pre-writing 67
- 2 Drafting 67
- 3 Revising 68
- 4 Editing 70
- Editing Checklist: Questions to Ask Yourself When Editing 70
- 5 Other Kinds of Writing About Literature 72
- A Paraphrase 74
- A Parody 76
- A Review of a Dramatic Production 77
- A Sample Review: "An Effective Macbeth" 78
- Part 2 Standing Back: Thinking Critically about Literature
- 6 Literature, Form, and Meaning 87
- Literature and Form 87
- Literature and Meaning 89
- Arguing about Meaning 90
- Form and Meaning 91
- / Robert Frost "The Span of Life" 91
- The Literary Canon 93
- Literature, Texts, Discourses, and Cultural Studies 94
- 7 What is Interpretation? 97
- Interpretation and Meaning 97
- Is the Author's Intention a Guide to Meaning? 98
- Characteristics of a Good Interpretation 99
- An Example: Interpreting Pat Mora's "Immigrants" 100
- Thinking Critically about Literature 102
- A Student Interpretation of Robert Frost's "Stopping by Woods on a Snowy Evening" 103
- Sample Essay: "Stopping by Woods and Going On" 104
- 8 What Is Evaluation? 109
- Criticism and Evaluation 110
- Evaluative Language and the Canon 110
- Are There Critical Standards? 111
- Morality and Truth as Standards 111
- Other Ways to Think about Truth and Realism 113
- 9 Writing about Literature: An Overview 116
- The Nature of Critical Writing 117
- Some Critical Approaches 117
- Formalist Criticism (New Criticism) 118
- Deconstruction 120
- Reader-Response Criticism 121
- Archetypal (or Myth) Criticism 123
- Historical Criticism 124
- Marxist Criticism 125
- The New Historicism 125
- Biographical Criticism 126
- Psychological (or Psychoanalytic) Criticism 127
- Gender (Feminist, and Lesbian and Gay) Criticism 128
- Part 3 Up Close: Thinking Critically about Literary Forms
- 10 Writing about Fiction: The World of the Story 139
- Plot and Character 139
- Writing about a Character 141
- A Sample Essay on a Character: "Holden's Kid Sister" 144
- A Brief Overview of the Essay 146
- Foreshadowing 146
- Organizing an Essay on Foreshadowing 148
- Setting and Atmosphere 149
- Symbolism 150
- A Sample Essay on Setting as Symbol: "Spring Comes to Mrs. Mallard" 152
- "Spring Comes to Mrs. Mallard" 153
- Point of View 157
- Third-Person Narrators 157
- First-Person Narrators 159
- Notes and a Sample Essay on Narrative Point of View in James Joyce's "Araby" 161
- "The Three First-Person Narrators of Joyce's 'Araby'" 162
- A Brief Overview of the Essay 165
- Theme: Vision or Argument? 166
- Determining and Discussing the Theme 166
- Preliminary Notes and a Sample Essay on the Theme of Eudora Welty's "A Worn Path" 167
- "Rising into Love" 170
- A Brief Overview of the Essay 174
- Basing the Paper on Your Own Responses 175
- A Note on Secondary Sources 175
- A Checklist: Getting Ideas for Writing about Fiction 179
- A Checklist: Getting Ideas for Writing about a Film Based on a Work of Literature 182
- 11 Writing about Drama 185
- A Sample Essay 186
- "The Solid Structure of The Glass Menagerie" 187
- Types of Plays 192
- Tragedy 193
- A Checklist: Writing about Tragedy 196
- Comedy 196
- A Checklist: Writing about Comedy 198
- Aspects of Drama 198
- Theme 198
- Plot 200
- A Checklist: Writing about Plot 203
- Characterization and Motivation 205
- Costumes, Gestures, and Settings 207
- A Checklist: Getting Ideas for Writing about Drama 211
- A Checklist: Getting Ideas for Writing about a Film Based on a Play 213
- 12 Writing about Poetry 214
- The Speaker and the Poet 214
- / Emily Dickinson "Wild Nights-Wild Nights" 215
- The Language of Poetry: Diction and Tone 216
- / Edna St. Vincent Millay "I, being born a woman and distressed" 217
- Writing about the Speaker: Robert Frost's "The Telephone" 219
- / Robert Frost "The Telephone" 219
- Journal Entries 221
- Figurative Language 224
- / John Keats "On First Looking into Chapman's Homer" 225
- Preparing to Write about Figurative Language 228
- / William Blake "The Sick Rose" 229
- / Robert Herrick "Upon Julia's Clothes" 230
- Annotating and Thinking about a Poem 231
- The Student's Finished Essay: "Herrick's Julia, Julia's Herrick" 232
- Some Kinds of Structure 234
- / William Wordsworth "A Slumber Did My Spirit Seal" 235
- / John Donne "The Flea" 236
- Verbal Irony 237
- Paradox 237
- Explication 238
- A Sample Explication of Yeats's "The Balloon of the Mind" 239
- / William Butler Yeats "The Balloon of the Mind" 239
- Rhythm and Versification: A Glossary for Reference 242
- Rhythm 242
- Meter 244
- Patterns of Sound 247
- Stanzaic Patterns 248
- Blank Verse and Free Verse 249
- / Walt Whitman "When I Heard the Learn'd Astronomer" 250
- Preparing to Write about Prosody 251
- Sample Essay on Metrics: "Sound and Sense in A. E. Housman's 'Eight O'clock'" 252
- "Sound and Sense in A. E.
- Housman's 'Eight O'clock'" 253
- A Brief Overview of the Essay 257
- A Checklist: Getting Ideas for Writing about Poetry 258
- 13 Writing about an Author in Depth 261
- A Case Study: Writing about Langston Hughes 262
- / Langston Hughes "The South" 263
- / Langston Hughes "Ruby Brown" 265
- / Langston Hughes "Ballad of the Landlord" 266
- "A National Problem: Race and Racism in the Poetry of Langston Hughes" 267
- A Brief Overview of the Essay 271
- Part 4 Inside: Style, Format, and Special Assignments
- 14 Style and Format 275
- Principles of Style 275
- Get the Right Word 276
- Write Effective Sentences 280
- A Checklist for Revising for Conciseness 281
- Write Unified and Coherent Paragraphs 284
- A Checklist: Revising Paragraphs 289
- Write Emphatically 290
- Notes on the Dash and the Hyphen 291
- Remarks about Manuscript Form 291
- Basic Manuscript Form 291
- Quotations and Quotation Marks 293
- 15 Writing a Research Paper 298
- What Research Is Not, and What Research Is 298
- Primary and Secondary Materials 299
- Locating Material: First Steps 299
- Other Bibliographic Aids 302
- Taking Notes 302
- Two Mechanical Aids: The Photocopier and the Word Processor 303
- A Guide to Note Taking 303
- Drafting Your Paper 305
- Focus on Primary Sources 306
- Documentation 307
- What to Document: Avoiding Plagiarism 307
- A Checklist for Avoiding Plagiarism 309
- How to Document: Footnotes, Internal Parenthetical Citations, and a List of Works Cited (MLA Format) 310
- Sample Essay with Documentation: "The Women in Death of a Salesman" 322
- A Checklist: Reading the Draft of a Research Paper 331
- Electronic Sources 332
- Encyclopedias: Print and Electronic Versions 332
- The Internet/World Wide Web 332
- Evaluating Sources on the World Wide Web 333
- A Checklist: A Review for Using the World Wide Web 333
- Documentation: Citing a Web Source 334
- A Checklist: Citing World Wide Web Sources 334
- Appendix A Two Stories 338
- / James Joyce "Araby" 338
- / Eudora Welty "A Worn Path" 342
- Appendix B Literary Research: Print and Electronic Resources 349.
- Notes:
- Includes bibliographical references (pages 349-355) and indexes.
- ISBN:
- 0321330730
- OCLC:
- 57352762
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