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The "Jew" in cinema : from The golem to Don't touch my Holocaust / Omer Bartov.

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Van Pelt Library PN1995.9.J46 B37 2005
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Library at the Katz Center - Stacks PN1995.9.J46 B37 2005
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Format:
Book
Author/Creator:
Bartov, Omer
Series:
Helen and Martin Schwartz lectures in Jewish studies
The Helen and Martin Schwartz lectures in Jewish studies
Language:
English
Subjects (All):
Jews in motion pictures.
Physical Description:
xv, 374 pages : illustrations ; 24 cm.
Place of Publication:
Bloomington : Indiana University Press, [2005]
Summary:
From cinema's beginnings, the film image of the "Jew" has closely followed the fortunes and misfortunes of Jews. Analyzing more than 70 films made in the Soviet Union, Poland, Hungary, Czechoslovakia and the Czech Republic, East and West Germany, France, Italy, the United States, and Israel from 1920 to the 1990s, noted historian Omer Bartov argues that depictions of the "Jew" in film have been fed by, or have reacted to, certain stereotypical depictions of Jews arising from age-old prejudices. These images, in turn, both reflected public attitudes and helped to shape them. Bartov points to Mel Gibson's film The Passion of the Christ as a recent example of this ongoing phenomenon.
Bartov's trenchant discussions of individual films reveal the ways in which powerful images have remained deeply embedded in the creative imagination, even as the circumstances that originally engendered them have undergone profound changes. Through its coverage of a range of traditions and periods, The "Jew" in Cinema provides original and provocative interpretations that often contradict conventional views. Placing cinematic representations of the "Jew" within their historical contexts, Bartov also demonstrates the powerful political, social, and cultural impact of these images on popular attitudes.
Contents:
The "Jew" as perpetrator
The "Jew" as victim
The "Jew" as hero
The "Jew" as anti-hero.
Notes:
Includes bibliographical references (pages 313-363) and index.
ISBN:
0253345022
0253217458
OCLC:
55633594

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