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Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber / Jairo Moreno.
Van Pelt - Albrecht Music Library ML3845 .M86 2004
Available
- Format:
- Book
- Author/Creator:
- Moreno, Jairo, 1963-
- Series:
- Musical meaning and interpretation
- Language:
- English
- Subjects (All):
- Music--Philosophy and aesthetics.
- Music.
- Music--Semiotics.
- Music theory--History.
- Music theory.
- History.
- Physical Description:
- viii, 236 pages : music ; 25 cm.
- Place of Publication:
- Bloomington : Indiana University Press, [2004]
- Summary:
- Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions--musical, philosophical, and historical--that "make a certain form of thought about music necessary and possible at the time it emerges."
- Contents:
- Zarlino: instituting knowledge in the time of correspondences
- The representation of order: perception and the early modern subject in Descartes's Compendium musicae
- The complicity of the imagination: representation, subject, and system in Rameau
- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.
- Notes:
- Includes bibliographical references (pages [221]-231) and index.
- ISBN:
- 0253344573
- OCLC:
- 54906944
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