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Modern German art for thirties Paris, Prague, and London : resistance and acquiescence in a democratic public sphere / Keith Holz.
Table of contents Available online
View onlineLIBRA N72.P6 H65 2004
Available from offsite location
- Format:
- Book
- Author/Creator:
- Holz, Keith.
- Series:
- Social history, popular culture, and politics in Germany
- Language:
- English
- Subjects (All):
- Art, German--Europe--20th century.
- Art, German.
- Art--Political aspects--Europe.
- Art.
- Expatriate artists--Europe.
- Expatriate artists.
- Artists--Germany.
- Artists.
- Dissenters, Artistic--Germany.
- Dissenters, Artistic.
- Freedom and art--Europe.
- Freedom and art.
- National socialism and art.
- Art--Political aspects.
- Germany--Politics and government--1933-1945.
- Germany.
- Politics and government.
- Europe.
- Physical Description:
- xvii, 359 pages, 6 unnumbered pages of plates : illustrations (some color) ; 27 cm.
- Place of Publication:
- Ann Arbor : University of Michigan Press, [2004]
- Contents:
- Which German art and artists for Paris?
- Between Gleichschaltung and the freedom of art: German art and its institutions in Czechoslovakia
- The collective of German artists (Paris) and the popular front: death twitch of the historical avant-garde?
- The limited attention to modern German art in London and the absence of a public exile culture
- Exile artists' groups and local cultural institutions respond to Degenerate Art (July 1937-March 1938)
- Exhibiting modern German art in London and Paris: from the Anschluss to the Night of Broken Glass (April-November 1938)
- The end of a public exile culture in Prague and Paris and its marginalization in London: from the Munich agreement to internment (November 1938-June 1940).
- Notes:
- Includes bibliographical references (pages 333-344) and index.
- ISBN:
- 0472113704
- OCLC:
- 55016506
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