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From Johnson's kids to Lemonade Opera : the American classical singer comes of age / Victoria Etnier Villamil.

Van Pelt - Albrecht Music Library ML400 .V56 2004
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Format:
Book
Author/Creator:
Villamil, Victoria Etnier.
Language:
English
Subjects (All):
Singers--United States--Biography.
Singers.
United States.
Opera--United States--20th century.
Opera.
Genre:
Biographies.
Physical Description:
xix, 332 pages : illustrations ; 25 cm
Place of Publication:
Boston : Northeastern University Press, [2004]
Summary:
The American baritone Lawrence Tibbett created an overnight sensation at the Metropolitan Opera in 1925 when the audience stopped the performance of Falstaff to honor their compatriot for his exceptional talent. Tibbett's now legendary curtain call foreshadowed a startling new era for classically trained native singers who rarely received the public recognition or respect given to their European colleagues.
In this absorbing work, Victoria Etnier Villamil chronicles the extraordinary time from 1935 to 1950, when American artists, who felt intensely inferior to foreign performers, journeyed from being unappreciated in their own country to standing without apology on stages at home and abroad. Drawing on exhaustive primary research and extensive interviews, Villamil tells the remarkable story of a generation of American opera singers whose profession, image, and art were forever altered by the upheavals of World War II, as well as sweeping cultural and technological changes.
The author's in-depth look at these breakthrough years explores such defining factors as Edward Johnson's drive to "Americanize the Met" in his first seasons as general manager, the impact of the microphone on singers and singing styles, and the importance of radio and motion pictures in introducing classical music voices to wider audiences. Villamil also considers how travel restrictions imposed on European artists during the war unlocked opportunities for American artists, and the role of political and Jewish refugees in enriching music education and training in this country. In addition, the author discusses thoroughly the founding of the New York City Opera, the rise of regional and smaller opera companies, including the enterprising and popular Lemonade Opera, and advancements for African American classical singers.
Brimming with entertaining anecdotes and colorful figures, both famous and little remembered, this fascinating book concludes with an examination of this crucial period's legacy for the American classical music scene in the 1950s and beyond. From Johnson's Kids to Lemonade Opera contains an invaluable appendix that provides biographical sketches of the over 250 opera and radio singers, as well as art song specialists, featured in this illuminating study.
Contents:
Prologue: an epiphany
1935
Microphone metamorphosis
Edward Johnson and the Gatti legacy
Johnson opens the floodgates
Not much else
"Aida without makeup"
Clouds and kids
Star-spangled banner time
Meccas and milestones
1945
Mushrooms and lemonade
"Thanks to Hitler"
Transatlantic turnabout
Purple pins and pioneers
Broadway opera and the Halasz gang
Final kids and farewell
1950
Fifties fallout.
Notes:
Includes bibliographical references (pages 310-314) and index.
ISBN:
1555536352
OCLC:
54775185

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