The musician's guide to theory and analysis / Jane Piper Clendinning and Elizabeth West Marvin.

Format:

Book

Author/Creator:

Clendinning, Jane Piper

Contributor:

Marvin, Elizabeth West, 1955-

Class of 1932 Fund.

Language:

English

Subjects (All):

Music theory.

Musical analysis.

Physical Description:

xxxi, 759, 116 pages : illustrations, music ; 25 cm

Place of Publication:

New York : W.W. Norton, [2005]

Contents:

Part I Building a Musical Vocabulary: Basic Elements of Pitch and Rhythm

1 Pitch and Pitch Class 2

2 Beat, Meter, and Rhythm: Simple Meters 19

3 Pitch Collections, Scales, and Major Keys 38

4 Minor Keys and the Diatonic Modes 54

5 Beat, Meter, and Rhythm: Compound Meters 78

6 Pitch Intervals 94

7 Triads and Seventh Chords 112

Part II Linking Musical Elements in Time

8 Intervals in Action (Two-Voice Composition) 134

9 Melodic and Rhythmic Embellishment in Two-Voice Composition 153

10 Notation and Scoring 172

11 Voicing Chords in Multiple Parts: Instrumentation 183

Part III The Phrase Model

12 The Basic Phrase Model: Tonic and Dominant Voice-Leading 198

13 Embellishing Tones 220

14 Chorale Harmonization and Figured Bass 235

15 Expanding the Basic Phrase: Leading-Tone, Predominant, and 6/4 Chords 250

16 Further Expansions of the Basic Phrase: Tonic Expansions, Root Progressions, and the Mediant Triad 276

17 The Interaction of Melody and Harmony: More on Cadence, Phrase, and Melody 298

18 Diatonic Sequences 323

19 Intensifying the Dominant: Secondary Dominants and Secondary Leading-Tone Chords; New Voice-Leading Chords 350

20 Phrase Rhythm and Motivic Analysis 372

Part IV Further Expansion of the Harmonic Vocabulary

21 Tonicizing Scale Degrees Other Than V 396

22 Modulation to Closely Related Keys 418

23 Binary and Ternary Forms 440

24 Color and Drama in Composition: Modal Mixture and Chromatic Mediants and Submediants 457

25 Chromatic Approaches to V: The Neapolitan Sixth and Augmented Sixths 478

Part V Musical Form and Interpretation

26 Popular Song and Art Song 508

27 Variation and Rondo 530

28 Sonata-Form Movements 551

29 Chromaticism 574

Part VI Into the Twentreth Century

30 Modes, Scales, and Sets 614

31 Music Analysis with Sets 635

32 Sets and Set Classes 653

33 Ordered Segments and Serialism 671

34 Twelve-Tone Rows and the Row Matrix 685

35 New Ways to Organize Rhythm, Meter, and Duration 698

36 New Ways to Articulate Musical Form 725

37 The Composer's Materials Today 745

3 Guidelines for Part-Writing A77

4 Ranges of Orchestral Instruments A81

5 Set-Class Table A85.

Notes:

Includes index.

Local Notes:

Acquired for the Penn Libraries with assistance from the Class of 1932 Fund.

ISBN:

0393976521

OCLC:

55131527