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Music in West Africa : experiencing music, expressing culture / Ruth M. Stone.

Van Pelt - Ormandy Music and Media Center CD 32338 1 disc
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Van Pelt - Albrecht Music Library ML350 .S76 2005
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Format:
Book
Author/Creator:
Stone, Ruth M.
Series:
Global music series
Language:
English
Subjects (All):
Music--Africa, West--History and criticism.
Music.
West Africa.
Ethnic music recordings--Africa, West.
Local Subjects:
Ethnic music recordings--Africa, West.
Physical Description:
xvi, 112 pages : illustrations ; 22 cm + 1 audio disc (digital ; 4 3/4 in.)
Place of Publication:
New York : Oxford University Press, 2005.
Summary:
Music in West Africa is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Music in West Africa presents fundamental style concepts of West African music using a focused case study of performance in Liberia, West Africa, among the Kpelle people. The book discusses the diversity, motifs, and structure of West African music within the larger patterns of the region's culture, highlighting those aspects of Kpelle music that are common to many other West African traditions. It also describes how music and dance in West Africa are tied to the fabric of everyday social and political life.
Kpelle musicians value musical performance where multiple performers each contribute aspects of sound that fit together in elaborate ways. Drawing upon her extensive fieldwork and research, author Ruth Stone -- who was raised in the Bong County region of Liberia -- focuses on key stylistic elements that Kpelle performers articulate and emphasize: faceting or breaking music into smaller parts, layering tone colors, part-counterpart relationships in musical structures, and time and polyrhythm. She explores fascinating parallels to these analytic themes in the textiles and masks of related arts and in broader cultural practices such as greeting sequences. Music in West Africa is enhanced by eyewitness accounts of local performances, interviews with key performers, and vivid illustrations. Packaged with a 70-minute CD containing examples of the music discussed in the book, it features guided listening and hands-on activities that encourage readers to engage actively and critically with the music.
Contents:
1. Traveling to West Africa 1
Journeys 1
Tools 9
West Africa in Perspective 11
Music in the Arts and Life 15
Style Areas 18
Ideas about Performance 18
Musical Instruments 19
2. Performance Facets 22
Vocal Facets in Epic Performance 25
Instrumental Facets in Horn Ensemble 27
Continuity in Performance: Woni Ensemble 30
Vocal and Instrumental Facets in Bush Clearing Songs 36
Parallels in the Arts 39
Faceting: Cutting the Edge 40
Cloth Pattern 40
Masks and Carved Figures 42
Greeting Sequences 42
Obscuring Facets 44
3. Voices: Layered Tone Colors 47
Timbre in African Music 47
Instruments: The Sounds of a Triangular Framezither 52
The Centrality of the Voice 54
Instruments: Musical Bow 54
Sound Texture in Epic 56
Social Resonance 61
Other Timbral Dimensions of Sound 61
Symbolic Association of Tone Color 62
Cloth Color 63
4. Part-Counterpart: Call and Response 64
Call and Response Variations 64
Nonoverlapping Call and Response 65
Rice Planting Song 65
Children's Counting Song 66
Kpelle Rubber Camp Music 66
Entertainment Love Song 67
Overlapping Call and Response 68
Musical Dramatic Folktale (Chante Fable) 68
Epic Performance 70
Dialogic Relationships 72
Resonance 74
Drummer-Supporting Drummer 74
Gifts that Keep the Performance Going 74
Chief-Counterpart 76
Poro-Sande 77
5. Time and Polyrhythm 79
A Master Drummer's Life History 79
Fitting the Pieces Together 84
Rhythmic Patterns in the Epic 85
Contingency 85
Action 88
Inner Time 89
Kpelle Performance in Liberia 89
The Island of Lamu, East Africa 89
The Shona of Southern Africa 90
The Spiritual World 90
The Larger Process 91
Life History 92
Time in Local Life 93
Balancing the Qualitative and Quantitative 93
6. Surveying the Trip: Cutting the Edge 95
Central Themes 95.
Notes:
Includes bibliographical references (pages 102-107), glossary and index.
ISBN:
0195144996
0195145003
OCLC:
53932725

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