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Screenprinting : the complete water-based system / Robert Adam and Carol Robertson.
- Format:
- Book
- Author/Creator:
- Adam, Robert.
- Language:
- English
- Subjects (All):
- Screen process printing.
- Serigraphy.
- Physical Description:
- 208 pages : illustrations (chiefly color) ; 25 cm
- Place of Publication:
- London ; New York : Thames & Hudson, 2003.
- Summary:
- This practical and inspirational resource book is the definitive guide to water-based screenprinting. With clear step-by-step instructions and 265 illustrations, most in full color, it explains and describes methods and materials that replace traditional toxic screenprinting systems. The water-based way is the modern option -- safer, healthier and more environmentally friendly, as well as quick to learn and accessible to all. The book covers every stage of the printing process and opens up new areas of creative possibilities. Whether you wish to print using paper stencils, screen filler stencils or photostencils (incorporating autographic, digital, photocopied or photographic elements), with opaque, translucent, metallic, gouache or acrylic paints, on paper, fabric, metal or PVC, renowned practitioners and art educators Robert Adam and Carol Robertson show you how to do it. From choosing which materials to use and how to use them, through setting up and equipping a water-based screenprinting studio, to collating and presenting finished prints, this comprehensive reference book -- complete with list of international suppliers and glossary -- is the only resource any art practitioner, educator, student or designer will ever need.
- Contents:
- How Screenprinting Developed
- The origins of screenprinting 6
- Commercial screenprinting 7
- Fine art screenprinting 8
- The Move Towards Water-Based Screenprinting
- Traditional screenprinting and its implications for health, safety and the environment 10
- Health issues 10
- The risk of fire 11
- The environment 11
- Sourcing information about chemicals and their correct use 13
- How traditional screenprinting chemicals enter the body 14
- The development of a safer screenprinting system 17
- Fine art materials for water-based screenprinting 20
- Selecting fine art materials for water-based printing mixtures 24
- Selecting screen fillers and screen painting fluids 26
- Industrial and commercial products for water-based screenprinting 27
- Selecting industrial and commercial water-based screenprinting inks 27
- Selecting frames, meshes and squeegees 30
- Selecting photo-emulsions 31
- PVC sheet as a key part of water-based screenprinting 34
- Selecting materials for autographic positives and photo positives 36
- Selecting products for cleaning and preparing meshes 38
- Designing a Water-Based Screenprinting System
- Planning a water-based screenprinting studio 41
- Equipping a water-based screenprinting studio 45
- Good studio practice for water-based screenprinting 55
- Planning a Screenprint
- Building an image 59
- Making a map 64
- Frames, Meshes and Squeegees
- Screen frames 65
- Meshes 66
- Preparing and degreasing the mesh 69
- Margins 71
- Squeegees 74
- Stencils
- Types of stencil 76
- Creating open areas 78
- Paper stencils 79
- Making paper stencils 80
- Printing paper stencils 82
- Screen filler stencils 85
- Using screen filler to create or stop out images, or to edit photostencils 86
- Using screen filler for photostencil reversals 91
- Screen painting fluid stencils 93
- Using screen painting fluid to create images or to edit stencils 93
- Photostencils 96
- Photo-emulsion and positives 96
- Moire patterns 97
- Autographic positives 98
- Using halftone and other tonal techniques 116
- Photographic positives 117
- Photocopy positives 118
- Digital positives 120
- Colour separation and process printing 126
- A brief guide to the stages of the photostencil process 129
- The chemistry of photo-emulsion 129
- Mixing photo-emulsion 130
- Applying photo-emulsion to the mesh 131
- Photo-emulsion drying procedure 135
- Exposing the photo-emulsion-coated screen to UV light 136
- Photo-emulsion developing procedure 139
- Substrates
- Paper 142
- Other substrates 146
- Printing Mixtures
- Preparing artist's paints for fine art water-based screenprinting 150
- Selecting and mixing colour 151
- A basic printing mixture preparation workstation 153
- A professional printing mixture preparation workstation 154
- Opaque printing mixtures 156
- Paints and recipes for opaque printing mixtures 157
- Translucent printing mixtures 159
- Paints and recipes for translucent printing mixtures 163
- Transparent printing mixtures and recipes 165
- Golden printing mixtures and recipes 166
- Metallic, iridescent, pearlescent, interference and powder pigment printing mixtures 168
- Printing Techniques
- Setting up a vacuum press 171
- Preparing the press for printing 174
- Screenprinting techniques 177
- Registration techniques 181
- Proofing and editioning 184
- Blends and monoprinting 186
- Squeegee support 188
- Problem solving when screenprinting 188
- Reclaiming the Screen
- Screen preparation and mesh-cleaning workstation 190
- Removal of printing mixtures and paper stencils from the mesh 192
- Removal of photostencils from the mesh 194
- Removal of screen filler stencils from the mesh 196
- Haze removal 197
- Collating and Presenting Screenprints
- International Suppliers of Materials Suitable for Water-Based Screenprinting 201.
- Notes:
- "With 265 illustrations, 228 in colour."
- Includes index.
- ISBN:
- 0500511152
- 0500284253
- OCLC:
- 51482017
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