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Dance and authenticity in Israel and Palestine : performing the nation / by Elke Kaschl.
Van Pelt Library GV1703.I75 K37 2003
Available
Library at the Katz Center - Stacks GV1703.I75 K37 2003
Available
- Format:
- Book
- Author/Creator:
- Kaschl, Elke.
- Series:
- Social, economic, and political studies of the Middle East and Asia ; v. 89.
- Social, economic and political studies of the Middle East and Asia ; v. 89
- Language:
- English
- Subjects (All):
- Folk dancing--Israel--History.
- Folk dancing.
- Folk dancing--West Bank--History.
- Folk dancing--Social aspects--Israel.
- Folk dancing--Social aspects--West Bank.
- Jewish-Arab relations.
- Folk dancing--Social aspects.
- History.
- West Bank.
- Israel.
- Physical Description:
- xx, 335 pages : illustrations ; 25 cm.
- Place of Publication:
- Leiden ; Boston : Brill, 2003.
- Summary:
- "Dance and Authenticity is an ethnography of dance performance and cultural form. It describes how "dabkeh, a type of dance performed at Palestinian weddings, became a model for the Israeli Jewish "debkah as a means of affirming Israeli Jewish belonging and common society. The Palestinian "dabkeh, in turn, acquired nationalist meanings, especially after the 1967 war and the occupation of the West Bank. The book traces the history of these competing, and conflicting, dance forms, basing the argument principally on the ethnographic study of two Palestinian and one Israeli Jewish dance group conducted between 1998 and 1999. The result is a fascinating parallel ethnography, showing how the ethnography of dance forms contributes to evolving notions of collective national and political identity in a context of unequal power.
- Contents:
- Stage Settings xv
- Chapter 1. Investigating the Performance of Nationalism as a Relational Process Between Israel and Palestine 1
- Issues of Theory and Method 1
- Investigating nationalism as a relational process 1
- The performance of nationalism 11
- Folk dance as a performance of nationalism 14
- Dabkeh/ debkah on stage in Israel and Palestine 19
- Data Acquisition 24
- Defining the 'field' 24
- 'Deep hanging out' with folk dance groups in Israel and Palestine 26
- Working with the groups 31
- Chapter 2. Struggling for Modern Statehood: Authenticity, Gender and a Twice Invented Tradition 36
- Performing Modern Israeli Jewishness: The Case of the Israeli debkah 39
- Early beginnings of Jewish dancing in Ottoman Palestine, 1882-1914 40
- New Jews as dancing pioneers, 1920s-30s 43
- Authenticating Jewish dancing through dabkeh, 1930s-1940s 50
- Institutionalizing rikudai `am israeli as a new tradition for a new country, 1948-1968 62
- Performing Modern Palestinianness: The Case of the Palestinian dabkeh 71
- Changing discourse: From an Arab Levantine social practice to authentic Palestinian heritage 72
- Dabkeh on stage as al-turath al-sha`bi al-filastini 81
- Chapter 3. Changing Ways of Movement: The Palestinian Popular Dance Troupe El-Funoun, 1979-1999 97
- Changing Styles: From dabkeh to raqs filastini 100
- Steadfast Resistance, 1979-1987 100
- Rising Up, 1987-1989 112
- Stalemate, 1989-1993 119
- Separate Lives, 1993-1999 122
- Changing Style, Not Meaning 137
- The social acceptability of raqs in the late nineties 138
- Making raqs acceptable 145
- Performing the nation behind the backdrop of a globalizing environment 152
- Chapter 4. Making Place: Karmei Makhol, 1982-1999 158
- From Space to Place: Putting Karmi`el on the Map
- "Samnu et Karmi`el `al ha-Mapah!" 162
- Consolidating Hierarchies: Multiculturalism in the Heart of the Galilee 180
- A city of integration 180
- Everyday realities 184
- Consolidating hierarchies through debkah 198
- Chapter 5. Improvising in Between: Al-Asayyel, 1988-1999 206
- Establishing a tradition of 'authentic' dabkeh dancing in the Galilee 209
- Behind the scenes: What shaped Al-Asayyel's dabkeh 218
- "Do the Right Thing!"
- The Israeli Jewish discourse of authenticity 218
- "Don't Sell Out!"
- The Palestinian discourse of preservation 243
- Changing realities between Israel and Palestine: Performing Israeli Arabness in the Galilee 258
- Tables 1-8 Group Profiles 291
- Tables 9-12 Motivation to dance 295.
- Notes:
- Includes bibliographical references (pages [307]-328) and index.
- Local Notes:
- Acquired for the Penn Libraries with assistance from the Rosengarten Family Fund.
- ISBN:
- 9004132384
- OCLC:
- 52208637
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