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French cinema : from its beginnings to the present / Rémi Fournier Lanzoni.

LIBRA PN1993.5.F7 L33 2002
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Format:
Book
Author/Creator:
Fournier-Lanzoni, Rémi.
Language:
English
Subjects (All):
Motion pictures--France--History.
Motion pictures.
France.
History.
Physical Description:
496 pages : illustrations ; 24 cm
Place of Publication:
New York : Continuum, 2002.
Contents:
Chapter 1 The Invention of Motion Pictures and the Silent Era of Film 23
France at the Turn of the Twentieth Century 23
The Invention of the Cinematographe 25
Georges Melies and the Adventure of the Film Studio 32
Growth of a National Cinema: Charles Pathe and Leon Gaumont 36
The Invention of Genres: Louis Feuillade and Max Linder 39
Avant-garde Cinema, French Impressionism, and Surrealism: Louis Delluc, Abel Gance, Marcel L'Herbier, Luis Bunuel, and Rene Clair 45
Chapter 2 The Golden Age of French Cinema 53
The Style of the 1930s 53
The "Talkies" 55
French Cinema and Economic Recession 62
Verbal Cinema or Filmed Language? Marcel Pagnol 67
Beyond Filmed Theater: Toward Poetic Realism 73
Artists and Masters of Poetic Realism: Jean Gabin, Arletty, Marcel Carne, Jean Renoir, and Jean Vigo 75
Cinematography and the Poetics of Images 100
Chapter 3 French Cinema of the Occupation 103
France in 1940 104
The Exodus of French Cinema Celebrities 106
French Cinema and Vichy 111
Propaganda and Censorship: The Case of Henri-Georges Clouzot 115
Working Conditions under the Occupation: Marcel Carne 124
Resistance and Liberation 136
Chapter 4 The Postwar Era 143
The Fourth Republic and Postwar France 144
The Blum-Byrnes Agreements 148
The Prestige of French Cinema or Cinema of Prestige? Jean Cocteau 150
A Certain Tradition de Qualite 157
Comedy a la francaise: Claude Autant-Lara 167
Film Noir or film d'ambiance: Henri-Georges Clouzot, Jacques Becker, and Rene Clement 170
Toward a New Cinema: Robert Bresson, Jacques Becker, and Rene Clement 183
Chapter 5 The Years of the French New Wave 195
France during and after the Events of 1958 196
The Signs of Change: Louis Malle 201
Les cahiers du cinema and the Auteur Theory 206
The Emergence of the New Wave: Claude Chabrol, Francois Truffaut, Alain Resnais, Jean-Luc Godard, and Agnes Varda 210
The Return of Commercial Movie Successes 239
Chapter 6 French Cinema of the 1970s 245
May '68: A New Cultural Era 246
Economic Assessment of French Cinema 249
The "Scandal" of the Cinematheque Francaise 252
Political Cinema as a New Genre: Louis Malle, Joseph Losey, and Costa-Gavras 253
The Last Days of the French Polar: Jean-Pierre Melville and Henri Verneuil 262
The Humanists' School: Claude Sautet, Francois Truffaut, and Eric Rohmer 270
The Storytellers: Bertrand Blier and Bertrand Tavernier 286
Chapter 7 The Cinema of the 1980s 298
France in the 1980s 299
French Cinema of the 1980s: Over One Thousand Films Produced 304
Transformations in the French Film Industry 306
A New Partner: Television 310
The Old School of Filmmakers: Francois Truffaut, Bertrand Tavernier, Bertrand Blier, and Maurice Pialat 313
The Super Productions: Claude Berri and Jean-Jacques Annaud 326
New Directors for a New Generation: Jean-Jacques Beineix and Luc Besson 338
The Rebirth of Popular Comedies: Coline Serreau and Claude Zidi 346
Chapter 8 The Last Decade and Beyond 349
French Society in the 1990s 350
The Improving Health of French Cinema 351
A Unique Financial-Aid System 354
French Television 358
French Cinema Abroad 361
New Artists, New Creators: Jean-Pierre Jeunet and Marc Caro 365
The Epics: Regis Wargnier and Claude Berri 376
Period Dramas: Patrice Chereau, Alain Corneau, Jean-Paul Rappeneau, and Patrice Leconte 382
The Return of Comedies at the Box Office: Jean-Marie Poire and Francis Veber 400
The New French Cinema
Le Jeune Cinema: Mathieu Kassovitz and Eric Zonca 405
The Digital Revolution and the High-Definition System: Pitof 414.
Notes:
Includes bibliographical references (pages 468-473) and index.
ISBN:
0826413994
OCLC:
50149534

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