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Pop music : technology and creativity : Trevor Horn and the digital revolution / by Timothy Warner.
Van Pelt - Albrecht Music Library ML3470 .W38 2003
By Request
- Format:
- Book
- Author/Creator:
- Warner, Timothy, 1954-
- Series:
- Ashgate popular and folk music series
- Language:
- English
- Subjects (All):
- Popular music--20th century--History and criticism.
- Popular music.
- Music and technology.
- Electronic music--History and criticism.
- Electronic music.
- Creation (Literary, artistic, etc.).
- Horn, Trevor.
- Physical Description:
- xiv, 172 pages : illustrations ; 25 cm.
- Place of Publication:
- Aldershot, Hants ; Burlington, VT : Ashgate, [2003]
- Contents:
- 1 Characteristics of Pop Music 3
- Pop and rock 3
- Pop as a format: the single 5
- Short and sweet 6
- The art of the familiar 7
- Simplicity and repetition 9
- Round and round, like a record 10
- Machine aesthetics 11
- Pop and television 12
- Pop and commerce 13
- Pop and fashion 14
- Let's dance 14
- Image 15
- Mixed media 16
- 2 The Production of Pop Music 18
- An aural art 19
- The recording studio as resource 20
- From analogue to digital 20
- Using technology 22
- Multitrack recording 22
- Signal processing 23
- MIDI sequencing 24
- Sound synthesis and sampling 28
- Recording the voice 31
- The fade-out 32
- The record producer 33
- Part 2 Technology and Creativity 39
- 3 'Video Killed the Radio Star' by The Buggles 41
- The ghost in the machine 41
- Music 43
- Lyrics 44
- Production and arrangement 45
- Disco killed the radio star 47
- 4 'Buffalo Gals' by Malcolm McLaren 50
- A charismatic manager 50
- From manager to artist 52
- Applied cultural theory 52
- The anthropological connection 53
- Stylistic collage 54
- 'Buffalo Gals' 55
- Structure 57
- Timbre 58
- Half-heard words 59
- 5 'Owner of a Lonely Heart' by Yes 62
- Yes: from progressive rock to chart pop 62
- 90125 64
- A new image 64
- Live/recorded 65
- Chart pop music 66
- 'Owner of a Lonely Heart' 66
- Form: repetition and suspension 67
- Timbre and gesture 69
- The artificial guitar 70
- The multitracked vocal 71
- Machine drums 72
- 6 'Relax' by Frankie Goes to Hollywood 75
- Zang Tuum Tumb 75
- Another band from Liverpool 76
- The image 78
- Too much, too young? 79
- The making of 'Relax' 80
- 'Remix, Re Use It' 81
- Banned 82
- The sound of 'Relax' 83
- A novel approach to musical form 84
- What's the hook? 86
- Repetition in 'Relax' 87
- 7 Who's Afraid of The Art of Noise? 91
- What's in a name? 92
- Who's afraid of The Art of Noise? 93
- Cover imagery 94
- Sampling 95
- Recording records 96
- Listening to samples 97
- Sampling and The Art of Noise 98
- Studio made 101
- Timbre 101
- Space 102
- 8 'Jewel', 'Duel' and 'Jewelled' by Propaganda 106
- Recordings revisited 106
- Propaganda 108
- A Secret Wish: pretentious packaging 110
- From engineer to producer 112
- The music of A Secret Wish 113
- 'Jewel'/'Duel'/'Jewelled' 116
- 'Jewel'/'Duel'/'Jewelled'
- the structure 116
- the sound 118
- Technology and Propaganda 120
- 9 Slave to the Rhythm by Grace Jones 123
- Slave to the fashion 123
- Slave to the image 124
- Slave to the cliche 126
- Slave to the Rhythm 127
- 'Re-written by machine' 128
- Concerto for Synclavier 129
- Slave to the sampler 131
- Space 132
- Spatial orchestration 133
- Words 134
- Slave to the remix 135
- Appendix 1 Interview with Trevor Horn 143.
- Notes:
- Includes discographies, bibliographical references (pages [162]-166) and index.
- Local Notes:
- Acquired for the Penn Libraries with assistance from the Harry E. Humphreys Book Fund.
- ISBN:
- 0754631311
- 075463132X
- OCLC:
- 49976861
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