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A short history of opera / Donald Jay Grout & Hermine Weigel Williams.

Van Pelt - Albrecht Music Library ML1700 .G83 2003
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Format:
Book
Author/Creator:
Grout, Donald Jay.
Contributor:
Williams, Hermine Weigel.
Language:
English
Subjects (All):
Opera.
Physical Description:
xii, 1030 pages : illustrations ; 24 cm
Edition:
Fourth edition.
Place of Publication:
New York : Columbia University Press, [2003]
Summary:
When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions, including a chapter devoted solely to opera in the United States that incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Contents:
Part 1 Music and Drama to the End of the Sixteenth Century
1 The Lyric Theater of the Greeks 9
2 Medieval Dramatic Music 13
3 The Immediate Forerunners of Opera 21
Part 2 The Seventeenth Century
4 The Beginnings: Opera in Florence and Mantua 41
5 Other Early Seventeenth-Century Italian Court Operas, Including the First Comic Operas in Florence and Rome 60
6 Italian Opera in the Later Seventeenth Century in Italy 83
7 Seventeenth-Century Italian Opera in German-Speaking Lands 107
8 Early German Opera 121
9 Opera in France from Lully to Charpentier 132
10 Opera in England 147
Part 3 The Eighteenth Century
11 Masters of the Early Eighteenth Century 165
12 Opera Seria: General Characteristics 203
13 Opera Seria: The Composers 225
14 The Operas of Gluck 253
15 The Comic Opera of the Eighteenth Century 272
16 The Operas of Mozart and His Viennese Contemporaries 305
Part 4 The Nineteenth Century
17 The Turn of the Century 335
18 Grand Opera 353
19 Opera Comique, Operetta, and Lyric Opera 369
20 Italian Opera of the Primo Ottocento: Rossini, Donizetti, Verdi, and Their Contemporaries 383
21 The Romantic Opera in Germany 417
22 The Operas of Wagner 436
23 The Later Nineteenth Century: France, Italy, Germany, and Austria 473
Part 5 Other National Traditions of Opera from the Seventeenth to the Early Twentieth Centuries
24 National Traditions of Opera 507
Part 6 The Twentieth Century
25 Introduction / Opera in France and Italy 577
26 Opera in the German-Speaking Countries 611
27 National Opera in Russia and Neighboring Countries; Central and Eastern Europe; Greece and Turkey; the Netherlands, Denmark, Sweden, and Finland; Spain, Portugal, and Latin America 662
28 Opera in the British Isles, Canada, Australia, and New Zealand 708
29 Opera in the United States 729
Appendix Chinese Opera (Xiqu) 787.
Notes:
Includes bibliographical references (pages [797]-896) and index.
ISBN:
0231119585
OCLC:
51177429

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