My Account Log in

1 option

Bebop to cool : context, ideology, and musical identity / Eddie S. Meadows.

Van Pelt - Albrecht Music Library ML3508 .M43 2003
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Meadows, Eddie S.
Language:
English
Subjects (All):
Bop (Music)--History and criticism.
Bop (Music).
Cool jazz--History and criticism.
Cool jazz.
Jazz--Social aspects--United States.
Jazz.
Jazz--Social aspects.
United States.
Physical Description:
xxix, 383 pages : illustrations, music ; 25 cm
Place of Publication:
Westport, Conn. : Greenwood Press, 2003.
Summary:
Traces the cultural and ideological context that produced Bebop music, from the 1920s though the period of Miles Davis, Dizzy Gillespie, Thelonius Monk, Charlie Parker, and many other revolutionary musicians.
Contents:
I. New Thoughts, New Directions 1
1. Sociocultural Context 3
2. Ideology 21
3. Musical Appropriation 47
4. The Transformation to Bebop 59
II. Bebop: Articulating Language and Identity 91
5. Playing Bebop 93
6. General Musical Characteristics of Bebop 113
7. Bebop Scales 135
8. The Musical Language of Dizzy Gillespie 159
9. The Musical Language of Charlie Parker 173
10. The Musical Language of Thelonious Monk 219
III. Cool: Articulating Language and Identity 241
11. Cool Jazz 243
12. The Musical Language of Miles Davis 275
13. The Musical Language of Stan Getz 301
14. The Musical Language of Lennie Tristano 313.
Notes:
Includes bibliographical references (pages [347]-356) and indexes.
ISBN:
0313300712
OCLC:
49711739

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account