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Blurred zones : investigations of the interstitial : Eisenman Architects, 1988-1998 / with essays by Andrew Benjamin ... [and others].

Fine Arts Library - Core Reading Collection NA737.E33 B58 2002
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Format:
Book
Contributor:
Benjamin, Andrew E.
Language:
English
Subjects (All):
Eisenman, Peter, 1932---Criticism and interpretation.
Eisenman, Peter.
Eisenman, Peter, 1932-.
Eisenman Architects.
Architecture, Modern--20th century--Designs and plans.
Architecture, Modern.
Criticism and interpretation.
Genre:
Architectural drawings.
Physical Description:
334 pages : illustrations (some color), maps (some color) ; 29 cm
Place of Publication:
New York : Monacelli Press, 2002.
Summary:
In the late 1980s, the New York-based office Eisenman Architects, led by archirect and educator Peter Eisenman, shifted from an investigation of "artificial excavations" as an architectural tool to a conscious pursuit of a concept he called "blurring." Blurring is not a visual effect but rather deals with affect, that is, a strategy for exploring a mind/body relationship in architecture that displaces the conventional or expected experience of space. Blurring has many different definitions -- the between, the interstitial -- and takes many different forms in the work. Blurred Zones: Investigations of the Interstitial presents seventeen design projects, both built and unbuilt, and twelve essays that attempt to illuminate and illustrate the conceptual activity of blurring. The work from this period begins in 1988, with a project for the Guardiola House in Cadiz, Spain, and continues through 1998, with the Memorial to the Murdered Jews of Europe in Berlin. Also shown in this monography, with photographs and Eisenman's signature drawings, are the Aronoff Center for Design and Art at the University of Cincinnati and the Greater Columbus Convention Center, both in Ohio; the Nunotani Headquarters Building in Tokyo; the Max Reinhardt Haus in Berlin; and the entry for the Church for the Year 2000 competition in Rome. Complementing the design projects are texts by critics: philosopher Andrew Benjamin, ANY magazine editor Cynthia Davidson, teacher and editor Luis Fernandez-Galiano, architectural historian K. Michael Hays, literary critic Fredric Jameson, architect and teacher Franco Purini, and philosopher John Rajchman. Eisenman himself has written a series of essays on blurring, the interstitial, and undecidability, bringing together the preoccupations of his two roles: architect and theoretician.
Contents:
Blurred Zones 5
Guardiola House Cadiz, Spain 10
Classicism Lost 30
Aronoff Center for Design and Art Cincinnati, Ohio 32
Aronoff and Ideology 50
Milan Triennale Milan, Italy 70
Koizumi Sangyo Office Building Tokyo, Japan 76
Processes of the Interstitial 94
Greater Columbus Convention Center Columbus, Ohio 102
Banyoles Olympic Hotel Banyoles, Spain 122
Folding in Time: The Singularity of Rebstock Peter Eisenman 130
Rebstockpark Master Plan Frankfurt, Germany 134
Perplications: On the Space and Time of Rebstockpark 150
Nunotani Headquarters Building Tokyo, Japan 162
A Game of Eisenman Seeks 176
Emory University Center for the Arts Atlanta, Georgia 180
Whose M Emory? 202
Max Reinhardt Haus Berlin, Germany 208
Conservatory and Contemporary Arts Center Tours, France 222
Klingelhofer-Dreieck Housing Berlin, Germany 236
Nordliches Derendorf Master Plan Dusseldorf, Germany 244
Zones of Undecidability I 258
Church for the Year 2000 Rome, Italy 262
PaperArt Installation Duren, Germany 280
Zones of Undecidability II 286
Bibliotheque de L'Ihuei Geneva, Switzerland 290
Opening the Interstitial: Eisenman's Space of Difference 306
Memorial to the Murdered Jews of Europe Berlin, Germany 312
Germania Remember: Berlin's Memorial or Eisenman's Danteum? 332.
Notes:
Includes bibliographical references.
ISBN:
1580930492
OCLC:
49225901

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