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Deleuze on music, painting and the arts / Ronald Bogue.
Van Pelt Library B2430.D454 B64 2003
By Request
- Format:
- Book
- Author/Creator:
- Bogue, Ronald, 1948-
- Series:
- Deleuze and the arts
- Language:
- English
- Subjects (All):
- Deleuze, Gilles, 1925-1995.
- Deleuze, Gilles.
- Arts--Philosophy.
- Arts.
- Aesthetics.
- Physical Description:
- xii, 224 pages : illustrations, music ; 23 cm.
- Place of Publication:
- New York : Routledge, 2003.
- Summary:
- Central to Deleuze's theory of the arts are his writings on music and painting. As Ronald Bogue shows in a series of clear and incisive analyses, Deleuze's approach to music grows out of his cosmology, while his treatment of painting arises from his conception of the body's relation to sensation and force. What music and painting disclose for Deleuze are the complementary relations between corporeal experience and natural creative processes that shape all the arts, making them at once cosmic and affective modes of thought. This is the first detailed study of Deleuze's writings on music and painting, which are among the most daring and provocative of all his philosophical texts. Essential reading for anyone interested in music, painting, and the theory of the arts.
- Contents:
- Part I Music
- Chapter 1 Musica Naturans: Deterritorializing the Refrain 13
- Music and Cosmos in Antiquity
- Rhythm and the Refrain
- From Milieus to Territories
- Messiaen and the Composition of Time
- The Music of the Birds
- Chapter 2 Music in Time: History and Becoming 33
- Becoming-Woman, Becoming-Child
- Transverse Becomings of Musical Invention
- Classical Form, Romantic Variation
- The Problem of the People
- Varese and the Modern Sound Machine
- Cosmic People and the History of Discernibility
- Chapter 3 Natura Musicans: Territory and the Refrain 55
- Ethology and Territoriality
- Von Uexkull and Musical Milieus
- Ruyer and the Melodies of Developmental Biology
- Structural Coupling and Natural Drift
- Function and Aesthetics
- The Autonomous Refrain
- Part II Painting
- Chapter 4 Faces 79
- Hand and Mouth, Tool and Face
- Regimes of Signs and the Faces of Power
- White Wall, Black Hole
- The Abstract Machine of Faciality
- The Face and the Gaze
- From the Gaze to the Face
- Deterritorializing the Face
- Primitive Heads, Christ-Face, Probe Heads
- Chapter 5 Forces 111
- The Figural
- Systole and Diastole
- The Brutality of Fact
- Forces
- Chapter 6 Color 131
- Analogical Modulation
- Haptic and Optic
- Ground and Foundation
- Excursus on the Gothic Line
- Haptic Colorism
- Analogue Diagrammatic Modulation
- Part III The Arts
- Chapter 7 Sensation and the Plane of Composition 163
- Plane of Immanence, Plane of Composition
- Virtual and Possible
- Specific Domains
- Elective Affinities.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 0415966078
- 0415966086
- OCLC:
- 51870818
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