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The ancestress hypothesis : visual art as adaptation / Kathryn Coe.

LIBRA N72.A56 C64 2003
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Format:
Book
Author/Creator:
Coe, Kathryn, 1942-
Series:
Rutgers series in human evolution
The Rutgers series in human evolution
Language:
English
Subjects (All):
Art and anthropology.
Art and society.
Art.
Motherhood--History.
Motherhood.
Social evolution.
History.
Physical Description:
xiv, 214 pages : illustrations ; 24 cm.
Place of Publication:
New Brunswick, N.J. : Rutgers University Press, [2003]
Summary:
In our society it has long been believed that art serves very little social purpose. Evolutionary anthropologists, however, are examining a potential role for art in human evolution. Kathryn Coe looks to the visual arts of traditional societies for clues. Because they are passed down from previous generations, traditional art forms such as body decoration, funeral ornaments, and ancestral paintings offer ways to promote social relationships among kin and codescendants of a common ancestor. Mothers used art forms to anchor themselves and their kin to the father and his kin, and to promote the survival and reproductive success of kin and descendants. Individuals who abided by this strategy, accompanied by its strict codes of cooperation, left more distant descendants than did individuals who did not. Over time, given this reproductive success, large numbers of individuals would be identified as codescendants of a common ancestor and would cooperate as if they were close kin. These cooperative codescendants were more likely to survive and leave descendants. With each new generation these clans propagated not only their genes but also their behavioral strategy, the replication or presence of "art." The book concludes by examining the changing characteristics of visual art -- including a higher value on creativity, competition, and cost -- when traditional constraints on social behavior disappear.
Contents:
Chapter 1 The Ancestress Hypothesis and Visual Art: An Overview 1
Chapter 2 Visual Art Techniques and Veneration of the Dead 21
Chapter 3 Changing Styles of Visual Art 47
Chapter 4 The Definition of Visual Art: The First Step of the Scientific Method 67
Chapter 5 Underpinnings of the Ancestress Hypothesis 78
Chapter 6 Males as Ancestors 96
Chapter 7 Visual Art Theory: Ancestress Strategy or Sexual Strategy? 108
Chapter 8 Testing the Ancestress Hypothesis 123
Chapter 9 Modern Darwinian Theory 144
Chapter 10 Reconciliation: The Problem of Definitions 152.
Notes:
Includes bibliographical references (pages 175-205) and index.
ISBN:
0813531314
0813531322
OCLC:
49225445

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