Revolving embrace : the waltz as sex, steps, and sound / Sevin H. Yaraman.

Format:

Book

Author/Creator:

Yaraman, Sevin H.

Series:

Monographs in musicology ; no. 12.

Monographs in musicology ; no. 12

Language:

English

Subjects (All):

Waltz--History and criticism.

Waltz.

Waltz--Social aspects.

Physical Description:

x, 157 pages : illustrations, music ; 23 cm.

Place of Publication:

Hillsdale, N.Y. : Pendragon Press, [2002]

Summary:

At the beginning of the 19th century the waltz brought men and women face-to-face, dancing tightly embraced and staring into each other's eyes, a position that provoked a great deal of anxiety in many circles: bishops of Austria signed decrees against waltzing, France banned it at court, and even Leo XII sought to suppress the waltz by papal decree. Nevertheless, composers wrote waltzes for the ballrooms, and the new bourgeoisie of Europe enjoyed the freedom and informality of the dance.The reception of the waltz as music was informed by 19th-century views on women. As a result, the waltz - both dance and music - acquired a distinctly gendered meaning. In Verdi's La Traviata, Puccini's La Bohème, and Berg's Wozzeck, the composers relied on the waltz's contradictory meanings of individual pleasure and social disapprobation to portray the women characters and their roles in the development of the plot.The popularity of the waltz persisted beyond the original era of the Viennese waltz. Twentieth-century composers wrote waltzes either to pay homage to the Viennese waltz and its creators or to evoke the spirit of that earlier period. In compositions such as La Valse and Wozzeck, Ravel and Berg make deliberate references to the Viennese waltz without yielding their own musical language to its convention.

Contents:

1 The Curtain-Raiser: A Discussion of Basic Issues 1

2 Putting Music Under The Dancers' Feet 17

3 Opera, Ballet, and Playing with the Waltz 42

4 Liberation from the Steps: The Concert Waltzes 71

5 The Waltz as a Subject: Waltzes about the Waltz 91

6 The Woman's Sound in the Waltz 119.

Notes:

Includes bibliographical references (pages 147-153) and index.

ISBN:

1576470431

OCLC:

49225745