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Media semiotics : an introduction / Jonathan Bignell.

Van Pelt Library P96.S43 B54 2002
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Format:
Book
Author/Creator:
Bignell, Jonathan.
Language:
English
Subjects (All):
Mass media--Semiotics.
Mass media.
Physical Description:
xiv, 241 pages : illustrations ; 22 cm
Edition:
Second edition.
Place of Publication:
Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2002.
Summary:
Media Semiotics is a lucid investigation of the critical approach in contemporary media studies. Using examples such as Big Brother and Billy Elliot, Jonathan Bignell steps easily from basic concepts to more complex theories, while devoting chapters to specific media forms. New material in this second edition includes sections on men's style magazines, docusoaps and 'reality TV', digital interactive television, and mobile phone text messaging. This study begins by explaining the concept of the sign and the ideological roles of media in contemporary culture. The book then scrutinises advertisements, glossy magazines, daily newspapers, TV programmes, recent films and interactive media, with each chapter containing close analyses of particular examples. Key strands in critical theory which are allied to semiotics, such as ideology and psychoanalytic theory are explored. Media semiotics moves on to discuss the challenges to established semiotic methods posed by audience studies and postmodernism, and considers 'new media', including computer games, the Internet and the World Wide Web.
Contents:
1 Signs and myths 5
The Semiotic Point of View 5
Sign Systems 8
Components of the Sign 11
Sequences of Linguistic Signs 13
Visual Signs 14
Connotation and Myth 16
Mythologies of Wrestling 17
Myth and Social Meanings 20
Myth and Ideology 24
2 Advertisements 28
The Advertising Business 29
Analysing Advertising 30
The Semiotic Critique of Ads 32
Ideology in Ads 34
The Ideology of Ads 36
Problems in the Ideological Analysis of Ads 37
Volkswagen Golf Estate 39
The VW Golf Estate Ad's Contexts and Readers 43
Wonderbra 46
The Wonderbra Ad's Contexts and Readers 50
3 Magazines 55
The Magazine Business 56
Myths of Gender Identity 59
The Reading Subject 63
Address and Identity 66
Masculine and Feminine 'Worlds' 71
The Limits of the Imaginary 75
4 Newspapers 79
The Newspaper Business 80
News Value 82
News Discourse 88
Headlines and Graphics 92
Photographs in the News 94
Newspaper Readers 99
5 Television news 105
News in the Television Schedule 106
Defining Television News 110
Mythic Meanings in Television News 112
The Structure of Television News 116
Myth and Ideology in Television News 121
Making Sense of Television news 124
Global News 126
6 Television realisms 131
Contexts of Non-Fiction Television 133
Codes of Television Realism 136
Television and Society 139
Dramatising the Real 144
Viewer Involvement 148
7 Television fictions 155
Audiences for Television Fiction 156
Codes of Television Fiction 158
Fiction and Ideology 161
Postmodernism and Television 168
Television Audiences 172
8 Cinema 179
The Film Business 180
Cinema Spectatorship 183
The Gendered Spectator 186
Film Signs and Codes 190
Film Narrative 195
Film Genre 199
Cinema Audiences 202
9 Interactive media 207
Mobile Communications 207
Interactive Television 211
Computer Games 216
The Internet and World Wide Web 219.
Notes:
Includes bibliographical references (pages [228]-237) and index.
ISBN:
0719062055
OCLC:
48943879

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